slindeman
500+ Head-Fier
- Joined
- Jun 25, 2001
- Posts
- 792
- Likes
- 12
Where to begin?
About a dozen or so people showed up, enough that I was kept busy helping out at the Etymotic table, but with free time to listen to much of the gear and talk a lot with the two Todds and Tangent. Todd's a very nice guy, Headroom is lucky to have him. A lot of hard work and care has gone into this tour and it shows. This tour is something special that only Tyll and Headroom could dream up.
Headphones
The expected
The Orpheus was head and shoulders above the rest. The HD600 didn't come close in my opinion, even out of the Blockhead or EAR. The veil is made obvious when A/B'ing with the Orpheus. I could find no fault with the Orpheus other than price and portability.
The best affordable headphone system was the Stax Signature. I recently bought a 20 year old Stax SR-84 electret system that does many things better than my HD580s, although overall it is no match for the Senns. However, I have since suspected that the current Stax offerings such as the Classic or Signature, would have a sound to dethrone my HD600, and I was right on the money. Now I must save the money. I would take these over the HD600 + Blockhead/EAR/YOUR NAME HERE anyday. I guess I'm an electrostatic fan now.
The K501 and DT931 sounded just like they've been described here at Head-fi. The K501 was nice enough, but offered no advantage over HD580 in my opinion, and was not as well built, nor as comfortable. It would be a great starter headphone if only it didn't require a headphone amp. Since it does require an amp I would just spend the extra cash for the HD580 which sounds better. The DT931 lacked bass, other than that it was a good rival to the HD580. It was not as comfortable.
The HD590 sounded similar enough to my HD570 that I would not recommend considering it at all.
I'd heard the Grado SR-60 through SR-225 before, so there were no surprises there.
The unexpected
The Stax Omega had something weird going on. I'm not sure if I got the pads rotated wrong, or the earpieces rotated wrong or something, but I couldn't get these to sound better than the Stax Signature. They sounded sort of hollow with a bizarre soundstage. I still liked them a bit more than the dynamic headphones, but I thought something must have been wrong. I had Todd check them and he said they were fine, so who knows. Maybe they interacted weird with my ear shape.
The Etymotic ER4 is the best dynamic headphone. I didn't expect to like these more than the HD600 but I did. They are better in every way, except for convenience. The sound is the most neutral I have heard from any transducer. I wish I could justify buying them, but I can't right now because I don't listen portably more than a few times a year. Maybe if I get a big bonus next year (yeah right!). These are my second favorite affordable headphones behind the Stax Signature. I thought their bass was much superior to that of the HD600, and not thin at all.
Grado SR-325 and Grado RS-1. The SR-325 is the absolute worst $300 headphone I have ever listened to. It was painfully screechy. Much worse than even the SR-125 that I owned for 6 months. Anyone that says the SR-325 are smooth or neutral has got to be a loon.
On the other hand, the RS-1 was fabulous. Smooth, punchy, very good sounding. I would rate it at the same level as HD600, just a different flavor. Not my favorite flavor, but certainly worth auditioning. They were also the most comfortable Grados I have tried. (I've also tried the HP-2). The RS-1 or perhaps the RS-2 would be the only Grados I would own. Too bad they are priced about 2 times what I would pay for them.
The Sony MDR-CD3000 was not bad sounding at all. I figured I would hate it but I did not. I would put it in the top tier of affordable headphones which includes the ER4, HD600, RS-1, DT-931, and K501. It had the best soundstage of any closed headphone I've tried. It was a little bright, but nothing too harsh. I wouldn't pay more than $200-$300 for it though.
The Beyerdynamic DT-250 sounded average, with a terrible soundstage. Not worth $150 in my opinion. They did block sound well. Note that I had no other closed, sound blocking headphones to compare to since I've never heard MDR-V6 and I didn't get around to trying the HD280 or HD212. If these are the best of the closed headphones then I know closed headphones are not for me. I was expecting to like these based on the reviews.
Quick thoughts on the rest
The DT-831 sounded very thin. The HD497 performed well with DVD + DSP pro, but were uncomfortable. I didn't get a chance to try the Senn HD280 or HD212 which I was hoping to do. AKG K-501 was better in every way than K-401. I didn't get a chance to compare HD600 cables, but it doesn't matter since HD600 isn't going to be my main headphone once I save another $1000 and buy the Stax. I didn't get around to trying the AKG K1000.
Rankings: Orpheus > Stax Signature > Stax Omega > ER4 > HD600/HD580 > RS1/RS2 > DT-931 > K501 > CD3000.
Amps
Under $1000
I didn't compare amps as much as I did headphones, so I don't have as much to say here. The MG Head DT sounded a bit slow and thick compared to my reference, the Corda. Not my cup of tea. I thought the McCormack was better than the Corda, and I also liked the two Wheatfield amps very much. I didn't get to try the Porta Corda, JMT, or Total Airhead. I did look inside the JMT and he sure does have great soldering and assembly skills. My skills (if you can call them that) in comparison are pathetic.
The Cosmic made a big difference with the ER4 vs. the headphone jack of the Panasonic 470. I liked the Cosmic a lot. I wanted to, but didn't get a chance to try the Little or the MOH. I liked the Corda a bit better than the Headroom Home, but again I didn't spend enough time comparing them to make any definite conclusions. The differences between amps were small compared to the differences between headphones. I doubt I'll upgrade from my Corda any time soon, but we will see.
Rankings: Wheatfield > Cosmic > McCormack > Corda > Home > MG Head DT > Creek
Not listened to: MOH, Little, Porta Corda, TAH, RA-1, JMT, X-Cans
Over $1000
I compared these even less than I did the cheaper amps. For the most part, these all sounded excellent, more than adequate for my needs. I thought the Blockhead was the best dynamic amp at the show, with the EAR HP4 not far behind. I only briefly tried the Holmes Powell and the Max. The Cary is still MIA.
Rankings: Blockhead > EAR HP4 > Max > Holmes Powell
META42
None other than Tangent himself came to the SLC show (and hand delivered two META42 boards I ordered, thanks!) He brought with him a maxed-out Meta, in a Hammond aluminum enclosure, powered by an internal brick o' batteries, with Cardas RCA's and upscale components including the AD843, his favorite opamp at the moment. How did it sound? Marvelous. Wow! It is surely the best sounding portable amp I have heard. I only auditioned it for 10 min or so, but that was enough to know that it sounded at least as good (and probably better, I didn't get to do A/B testing) as the Cosmic. I thought it sounded better than the Corda, but once again it was not ideal conditions for coming to any hard conclusions. If you spend $200+ on parts and build it well, the META42 will rival any amp under $1000 in my opinion. He had it configured with the Linkwitz crossfeed, which is a great circuit, and one I have tried in the past and liked a lot. I can't wait to build my own admittedly non-upscale META42. USPS should come calling with a package from Digikey tommorrow and then I'll be ready to go.
On a side note, Tangent is a very nice guy and those META42 boards look awesome. Hats off to everyone who worked on the META42 project!
Conclusions
Thanks again to Headroom for the show. I feel lucky to have auditioned all of that gear. It saved a heck of a lot of time I could have wasted in searching out the right headphone/amp for me, and I've already been buying stuff for nearly two years. I've now been freed from indecision and uncertainty. I know I want the Stax Classic or Signature, I just have to take a year or two to save up for it. Meanwhile I can enjoy my HD600/Corda, build a few DIY amps, and spend the countless free hours I have working on a dissertation entitled: "Why my wife ought to buy me some Etys."
About a dozen or so people showed up, enough that I was kept busy helping out at the Etymotic table, but with free time to listen to much of the gear and talk a lot with the two Todds and Tangent. Todd's a very nice guy, Headroom is lucky to have him. A lot of hard work and care has gone into this tour and it shows. This tour is something special that only Tyll and Headroom could dream up.
Headphones
The expected
The Orpheus was head and shoulders above the rest. The HD600 didn't come close in my opinion, even out of the Blockhead or EAR. The veil is made obvious when A/B'ing with the Orpheus. I could find no fault with the Orpheus other than price and portability.
The best affordable headphone system was the Stax Signature. I recently bought a 20 year old Stax SR-84 electret system that does many things better than my HD580s, although overall it is no match for the Senns. However, I have since suspected that the current Stax offerings such as the Classic or Signature, would have a sound to dethrone my HD600, and I was right on the money. Now I must save the money. I would take these over the HD600 + Blockhead/EAR/YOUR NAME HERE anyday. I guess I'm an electrostatic fan now.
The K501 and DT931 sounded just like they've been described here at Head-fi. The K501 was nice enough, but offered no advantage over HD580 in my opinion, and was not as well built, nor as comfortable. It would be a great starter headphone if only it didn't require a headphone amp. Since it does require an amp I would just spend the extra cash for the HD580 which sounds better. The DT931 lacked bass, other than that it was a good rival to the HD580. It was not as comfortable.
The HD590 sounded similar enough to my HD570 that I would not recommend considering it at all.
I'd heard the Grado SR-60 through SR-225 before, so there were no surprises there.
The unexpected
The Stax Omega had something weird going on. I'm not sure if I got the pads rotated wrong, or the earpieces rotated wrong or something, but I couldn't get these to sound better than the Stax Signature. They sounded sort of hollow with a bizarre soundstage. I still liked them a bit more than the dynamic headphones, but I thought something must have been wrong. I had Todd check them and he said they were fine, so who knows. Maybe they interacted weird with my ear shape.
The Etymotic ER4 is the best dynamic headphone. I didn't expect to like these more than the HD600 but I did. They are better in every way, except for convenience. The sound is the most neutral I have heard from any transducer. I wish I could justify buying them, but I can't right now because I don't listen portably more than a few times a year. Maybe if I get a big bonus next year (yeah right!). These are my second favorite affordable headphones behind the Stax Signature. I thought their bass was much superior to that of the HD600, and not thin at all.
Grado SR-325 and Grado RS-1. The SR-325 is the absolute worst $300 headphone I have ever listened to. It was painfully screechy. Much worse than even the SR-125 that I owned for 6 months. Anyone that says the SR-325 are smooth or neutral has got to be a loon.
The Sony MDR-CD3000 was not bad sounding at all. I figured I would hate it but I did not. I would put it in the top tier of affordable headphones which includes the ER4, HD600, RS-1, DT-931, and K501. It had the best soundstage of any closed headphone I've tried. It was a little bright, but nothing too harsh. I wouldn't pay more than $200-$300 for it though.
The Beyerdynamic DT-250 sounded average, with a terrible soundstage. Not worth $150 in my opinion. They did block sound well. Note that I had no other closed, sound blocking headphones to compare to since I've never heard MDR-V6 and I didn't get around to trying the HD280 or HD212. If these are the best of the closed headphones then I know closed headphones are not for me. I was expecting to like these based on the reviews.
Quick thoughts on the rest
The DT-831 sounded very thin. The HD497 performed well with DVD + DSP pro, but were uncomfortable. I didn't get a chance to try the Senn HD280 or HD212 which I was hoping to do. AKG K-501 was better in every way than K-401. I didn't get a chance to compare HD600 cables, but it doesn't matter since HD600 isn't going to be my main headphone once I save another $1000 and buy the Stax. I didn't get around to trying the AKG K1000.
Rankings: Orpheus > Stax Signature > Stax Omega > ER4 > HD600/HD580 > RS1/RS2 > DT-931 > K501 > CD3000.
Amps
Under $1000
I didn't compare amps as much as I did headphones, so I don't have as much to say here. The MG Head DT sounded a bit slow and thick compared to my reference, the Corda. Not my cup of tea. I thought the McCormack was better than the Corda, and I also liked the two Wheatfield amps very much. I didn't get to try the Porta Corda, JMT, or Total Airhead. I did look inside the JMT and he sure does have great soldering and assembly skills. My skills (if you can call them that) in comparison are pathetic.
The Cosmic made a big difference with the ER4 vs. the headphone jack of the Panasonic 470. I liked the Cosmic a lot. I wanted to, but didn't get a chance to try the Little or the MOH. I liked the Corda a bit better than the Headroom Home, but again I didn't spend enough time comparing them to make any definite conclusions. The differences between amps were small compared to the differences between headphones. I doubt I'll upgrade from my Corda any time soon, but we will see.
Rankings: Wheatfield > Cosmic > McCormack > Corda > Home > MG Head DT > Creek
Not listened to: MOH, Little, Porta Corda, TAH, RA-1, JMT, X-Cans
Over $1000
I compared these even less than I did the cheaper amps. For the most part, these all sounded excellent, more than adequate for my needs. I thought the Blockhead was the best dynamic amp at the show, with the EAR HP4 not far behind. I only briefly tried the Holmes Powell and the Max. The Cary is still MIA.
Rankings: Blockhead > EAR HP4 > Max > Holmes Powell
META42
None other than Tangent himself came to the SLC show (and hand delivered two META42 boards I ordered, thanks!) He brought with him a maxed-out Meta, in a Hammond aluminum enclosure, powered by an internal brick o' batteries, with Cardas RCA's and upscale components including the AD843, his favorite opamp at the moment. How did it sound? Marvelous. Wow! It is surely the best sounding portable amp I have heard. I only auditioned it for 10 min or so, but that was enough to know that it sounded at least as good (and probably better, I didn't get to do A/B testing) as the Cosmic. I thought it sounded better than the Corda, but once again it was not ideal conditions for coming to any hard conclusions. If you spend $200+ on parts and build it well, the META42 will rival any amp under $1000 in my opinion. He had it configured with the Linkwitz crossfeed, which is a great circuit, and one I have tried in the past and liked a lot. I can't wait to build my own admittedly non-upscale META42. USPS should come calling with a package from Digikey tommorrow and then I'll be ready to go.
On a side note, Tangent is a very nice guy and those META42 boards look awesome. Hats off to everyone who worked on the META42 project!
Conclusions
Thanks again to Headroom for the show. I feel lucky to have auditioned all of that gear. It saved a heck of a lot of time I could have wasted in searching out the right headphone/amp for me, and I've already been buying stuff for nearly two years. I've now been freed from indecision and uncertainty. I know I want the Stax Classic or Signature, I just have to take a year or two to save up for it. Meanwhile I can enjoy my HD600/Corda, build a few DIY amps, and spend the countless free hours I have working on a dissertation entitled: "Why my wife ought to buy me some Etys."