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Originally Posted by edstrelow /img/forum/go_quote.gif
I haven't listened much to the HE90 but what I heard out of a non-Sennheiser amp sounded good but distinctly colored. I was certainly not convinced that it was as good as the Stax 007's. If so on what technological basis would this be? Stax put a lot of effort into the 007 drivers, making the frames very solid and mounting them in a solid aluminum enclosure. What can one say about the design of the HE90 for comparison? There is is certainly a mystique about them and in their day they were probably the best but now, I am not sure.
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Absolutely no doubt it's particularly coloured. And some people may not be able to discern the accuracy of the phone beyond the colouring. But the key for me is that they've coloured it in the way which causes least offence to the largest number of people. And that, for me, is a big part of the appeal.
I'm sure down low we all want things to sound 'nice' as well as 'accurate'. Truly few do... it's either/or to a large extent. The HE90 does both (As I discovered, the /V part is actually comparatively little of the Orpheus equation from a sonic character aspect). Not to the extremes in terms of accuracy as some newer headphones out there... but it does enough, and as a package it's still ahead of everything else out there I've owned or listened to in a way that it's hard to nitpick.
...But $15,000? Even $11,000? For a sometimes raggedy (certainly in my original case) old example as a reference price? That is very debatable even given the stature of the HE/V90 in headphone-land. It's like the old Discmen fad that we had a few years back. Fashion, supply and demand within the community. That drives prices, but it's not to say they aren't a little insane. You could look at the rarity, but I believe there are even rarer headphones out there which usually trade for far saner used prices as a percentage of the original.
As far as the O2's build/sound is concerned, obviously you have to live with both to be able to compare between them. I think in comparison despite the far older-school look of the Senns and arguably airier aspect of the O2 arising from the Stax's suspended-on-head nature, the Senn is better engineered from a biomechanical point of view than the Stax from an everyday usability aspect. There's much less variations in the sound depending on how the cushions are fitted, what position the driver is in relative to your ear - because the HE90 allows much less perceived sound variation affected by the variety of fit due to it's design.
I sold my O2's a while back, but picked up a Mark II more recently as I was still hankering for something more accurate than an HD650 as a second set. But personally, it ended up being deja vu of something I tossed up when I got rid of the first O2... the fact is that even I can't really justify its performance and the wearing compromises that are actually made more acute by the substantial alloy construction vs the HD650 (still my main utility phone of choice). At the end of the day I have to admit that while it is definitely superior, there's just too little separating the O2 and the HD650... and this may cause some O2 owners to fume, but I think in comparison to the best-of-the-affordable-dynamics, I think they might actually be poorer relative value as a package than even the used Orpheuses that we've been talking about.
I will probably hang onto the O2M2 until they're worn out (if ever, especially given the minimal use they get these days), mainly to stop myself from selling these at a loss and then be suckered into buying them yet again. I'm strangely optimistic in these matters, so best not to give myself the opportunity to make the same error.