Remedial
100+ Head-Fier
- Joined
- Aug 3, 2004
- Posts
- 142
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Okay, I haven't done the search, but I'm sure these phones have probably been panned from China to Brazil around here. Hear me out first, though.
Okay, my fiance got me a pair of these for my birthday because she knows how much a headphone fanatic I "once" was. Had to lay off the purchases after a few of them burnt me (2 pairs of HD280 Pro's falling apart, Shure E4's looking like crap with minimal usage, etc.., one phone of my Grado SR-60I breaking off). Now, I could understand these things happening if I even used these phones everyday AND mistreated them. But, that is not the case.
So, I decided I wouldn't give my money to these companies anymore. But then, I'm presented with this dilemma: I know there have got to be some much better sounding phones for the price that the Dre Beats are going for.
So, I headed on over to headphone.com and the following phones really caught my eye:
ATH-M50
Ultrasone HFi 780
Ultrasone PROline 650
Now, after looking at the specs on most of them, the PROline 650 sounds like a great deal, but, at 75 ohms I might have a hard time using it with my Sansa Clip around the house as I tend to do. But, it's critical nature would help me a lot when I have turn the studio monitors off and use solely headphones on my productions.
The HFI 780 looks like it might be great for using with my Clip and for recreational listening through my soundcard, but, doesn't look like it would be "that" great in critical listening situations. Same for the ATH-M50.
As you can tell from my selections, I'm aiming mainly for sealed cans.
So, what do you guys recommend from this bunch or what you've experienced otherwise.
I'm really looking to replace my HD280 Pro's as the build quality is horrible and their lower end is very boxy while being very minimal.
Okay, my fiance got me a pair of these for my birthday because she knows how much a headphone fanatic I "once" was. Had to lay off the purchases after a few of them burnt me (2 pairs of HD280 Pro's falling apart, Shure E4's looking like crap with minimal usage, etc.., one phone of my Grado SR-60I breaking off). Now, I could understand these things happening if I even used these phones everyday AND mistreated them. But, that is not the case.
So, I decided I wouldn't give my money to these companies anymore. But then, I'm presented with this dilemma: I know there have got to be some much better sounding phones for the price that the Dre Beats are going for.
So, I headed on over to headphone.com and the following phones really caught my eye:
ATH-M50
Ultrasone HFi 780
Ultrasone PROline 650
Now, after looking at the specs on most of them, the PROline 650 sounds like a great deal, but, at 75 ohms I might have a hard time using it with my Sansa Clip around the house as I tend to do. But, it's critical nature would help me a lot when I have turn the studio monitors off and use solely headphones on my productions.
The HFI 780 looks like it might be great for using with my Clip and for recreational listening through my soundcard, but, doesn't look like it would be "that" great in critical listening situations. Same for the ATH-M50.
As you can tell from my selections, I'm aiming mainly for sealed cans.
So, what do you guys recommend from this bunch or what you've experienced otherwise.
I'm really looking to replace my HD280 Pro's as the build quality is horrible and their lower end is very boxy while being very minimal.