I would go open source lossless, regardless. Remember Sony and Betamax? err... probably not, you young whippersnappers
http://en.wikipedia.org/wiki/Betamax. Moral: Best don't mean success. Witness Windwoes.
As said, you can always transcode from there. But one big advantage for me is it is a bit perfect backup for your CD collection. Lossy is a one-way street. As can be proprietary. Even if it is your own mvsik, the proprietary whores (sorry, no other word for them. And euphemisms often deeply offend *me*) can always add some license BS (ick) to make it illegal. And if it has any kind of DRM, then it is illegal under the DMCA.
So when your 2 yro uses two irreplaceable CDs as skates, you're covered.
And anyway, disk space is essentially free. I just got an enterprise server grade (my Linux server is up 24/7) SATA 250G for ~$75... lotsa ****, lotsa mvsik ;->. So, as has been said, size isn't important. Lossless compression is still better than .wav, tho.
And the open source community supports things like FLAC. Because of this, my iHP140 can play FLAC now that I've switched to using RockBox "firmware." Dunno and don't care if iRiver ever made good on their promise to play FLAC. (Which is worse: Ignorance or apathy? I don't know and I don't care. <groan>)
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And NOTHING is more important to corps than the bottom line:
http://www.calbaptist.edu/dskubik/pinto.htm. Rendering your entire mvsik collection unreadable would be as nothing. This is also a warning against DRM'd downloads. And I *don't* steal mvsik. No downloads, no rips copied from friends. And no lending to friends known to do so. But a 99.99% boycott of the RIAA for ~15 yrs. GO indie online labels. Mr RIAA: If I am not paying for media, but for the right to listen, then why won't you replace scratched media returned for shipping and handling. And why not allow me to upgrade from, say, CD to SACD by returning the CD? And if I have a vinyl copy of _Fragile_ and a CD one, is that two licenses, and can I then give on away, legally?
And most importantly of all, why have artists royalties remained flat as
manufacturing costs have plummeted?
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