US Blues
Headphoneus Supremus
Dazzling us with your mathematical prowess!
Dazzling us with your mathematical prowess!
A cynic might retort that the article gives yet another reason to skip much current popular music production :/Interesting article about how music production is changing as a result of headphone usage.
https://qz.com/1752321/how-headphones-are-changing-music/
A fascinating coffee tidbit... I was running low on AeroPress filters and bought a new package, and was surprised to see on the label that the company is local to me, in Palo Alto, Califonia.
I looked it up and found this: https://aeropress.com/about/
AeroPress, Inc. is the manufacturer of the AeroPress coffee maker, an innovative coffee press beloved by a multitude of global fans.
The company was founded in 1984 by Alan Adler, a renowned inventor and retired Stanford University engineering instructor, to manufacture and sell his revolutionary sporting goods inventions, including the Aerobie Pro flying ring, which set a Guinness World Record for the longest throw.
In 2004 Alan began studying the coffee brewing process and analyzing coffee maker designs in order to create a truly innovative device that would brew a superior cup of coffee. At a coffee industry trade show in November, 2005, Aerobie debuted its breakthrough AeroPress coffee maker.
Paul Rigby?
. . .
I think maybe he should leave technical descriptions alone.
It doesn't mean you can't believe that for the 6000CDT:- "The leap in quality was quite shocking"
I'll be interested to find out about the Schiit CD transport
I'm confused by the amount of audio woo about class A and D headphone amplifiers. I stumbled across Nelson Pass and his low(er) voltage amplifiers. As I understand it, if I chose to stick my fingers into a fully-powered, case-less Asgard 2, I'm in for a trip to the hospital (and glod help me if I try the same stunt on a Valhalla2). That's Schiit's idea of class A amplifiers (and I'm very pleased with my recent classic-stack purchase... Class A does sound different than my awesome Magni [that's class D? Dunno]). Mr. Pass designed audio amplifiers powered by a laptop-style AC/DC power supply...
...and also...
https://diyaudiostore.com/products/amp-camp-amp-kit?variant=7072933085218
I'm not ready to try a kit like that. Yet...
My grand vision for a diy project would be an extremely adaptable preamp/mixer. I'd love to use the B1 buffer, it is quite lovely... What I would really like is a few Nexus™ buffers to play with because some things I do are SE, and some are balanced, and my needs (okay, pie in the sky, unattainable wants...) change regularly. I'm serious about the mixer, with multiple effects sends, aux mixes, etc. I haven't found a pro mixer that fits, and the preamps I've reviewed are too limiting. I'm perfectly comfortable inside live electronic circuits and I keep one hand behind my back (okay, 65kv flyback circuits make me nervous from across the room) and I haven't caused any smoke for quite a while. I really want to make something now, so I'll probably start working on a new '59 5e3 Champ guitar amp, just 'cause they're cool... A serious abuse of perfectly good tubes, cathode biased (I think), pushed out of linearity, and stretched way beyond their limits, all in the name of beautiful music. And I dearly love the sound of that amp with a Rhodes Piano so I should put one those on the list as well. Sigh... I'm beginning to think I might not be the average consumer.I have built a B1 buffer, Leach Phono Stage, and have an F6 in progress. You need to be comfortable with your hands in the guts of things. That said Mr. Pass's designs are awesome if you have the know how to see it through.
My grand vision for a diy project would be an extremely adaptable preamp/mixer. I'd love to use the B1 buffer, it is quite lovely... What I would really like is a few Nexus™ buffers to play with because some things I do are SE, and some are balanced, and my needs (okay, pie in the sky, unattainable wants...) change regularly. I'm serious about the mixer, with multiple effects sends, aux mixes, etc. I haven't found a pro mixer that fits, and the preamps I've reviewed are too limiting. I'm perfectly comfortable inside live electronic circuits and I keep one hand behind my back (okay, 65kv flyback circuits make me nervous from across the room) and I haven't caused any smoke for quite a while. I really want to make something now, so I'll probably start working on a new '59 5e3 Champ guitar amp, just 'cause they're cool... A serious abuse of perfectly good tubes, cathode biased (I think), pushed out of linearity, and stretched way beyond their limits, all in the name of beautiful music. And I dearly love the sound of that amp with a Rhodes Piano so I should put one those on the list as well. Sigh... I'm beginning to think I might not be the average consumer.