blessingx
HeadFest '07 Graphic Designer
Supplier of fine logos! His visions of Head-Fi
- Joined
- Mar 27, 2003
- Posts
- 13,179
- Likes
- 26
And egglick, Febs is right on the money concerning joint stereo. If you're running 256 CBR kbps as stereo, you're effectively running dual 128 streams. Depending on stereo separation, complexity, etc. it's quite easy to imagine a lot of unnecessary duplicate data that would be easy to beat with an ABR or VBR joint stereo file at even ~192 kpbs. If it was a mono source recorded in stereo you may even be able to go down to 160 CBR JS and achieve statistically better results. Looked at in reverse, the bytes in a 256 joint stereo encoding has more information at its disposal.
I'm in the "if you're going to compromise quality for size... compromise quality for size." I don't understand those that encode at 320 kbps "'cause it's the best." No it's not. It's just the best setting for your particular lossly encoder. 320 kbps stereo makes even less sense to me. Might as well give up on perceptual encoding completely.
I'm in the "if you're going to compromise quality for size... compromise quality for size." I don't understand those that encode at 320 kbps "'cause it's the best." No it's not. It's just the best setting for your particular lossly encoder. 320 kbps stereo makes even less sense to me. Might as well give up on perceptual encoding completely.