valkolton
Sponsor: V-MODA
- Joined
- May 2, 2006
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FEATURE #101 - VAMP CAN BE LASER ENGRAVED WITH ANY LOGO...
Sorry for delays, was travelling for Miami music week and to see my brother off on his tour of duty. David Kolton, Co-Founder of V-MODA, is a captain of the US Air Force, who flies C-17s. He definitely is fully loaded with new products, and will gain real life testing with the troops and fellow pilots!
On the amp, the first production sample will be ready April 20th for me to do some demos!
OPAMP + DAC
It uses a AD8397 OpAmp and AK4353 DAC, which we found had the best sound on our headphones. I tried so many, it was a very long process. In fact, it delayed the acoustic development of M-100 and other headphones a bit with so many variables. I apologize, but I wanted to get a more perfect "match", and tuning one product is hard yet alone two, or three together.
As a side note, I'll never forget the hotel rooms and factory rooms we did our long "tuning sessions" in, and the terrible room service.
I'm sure the AD8397 sounds really good from your extensive tuning sessions, and it seems like a very popular headphone driver, still I think it would be cool if you offered one or two op-amp alternatives, like Leckerton does in their UHA-4 amp, AD8610 or OPA627 at an extra cost, just an idea!
The AD8397 is a good headphone driver, but I don't think it's as famous for it's sound quality as AD8610 or AD797, for example.
I hope Leckerton isn't offering the OPA627 upgrade to "mess with voltage" lol.
Just my two cents, anyway.
Cool. Well it's possible AD8397 is actually better at driving full-size headphones in portable applications, looking at that fixup.net link in post #94...... and may have good synergy with the DAC used or V-Moda HP signatures.
It's just... AD797 (for example) has more appeal by it's name alone.
WHY DOESNT APPLE SUPPORT FLAC? It is odd.
Not to be a cynic, but someone has to play devils advocate (sorry val, just doing this on your behalf to avoid "group think")
But where is the market for this realistically? I understand its made to work with V-Moda products, but at 2x the price of the M100 I HIGHLY doubt any of the M100 owners will fork out that much, if they could they would buy a level higher in headphones. The level of money prospective M100 owners will spend on amping is between $100 and $250, and if you think about it, its true.
Also being designed for apple products kills alot of potential USE, if it includes support for PC, and USB class audio then it fills other gaps and gives buyers more excuses to buy it.
And finally if this is indeed designed to work with the M100, but mainly for the future "REVOLVER" which MSRP we don't know yet, I am going to guess $600-$1200 then it may make sense to make this, but at its price the usage limitation is still a problem.
I know this doesn't sound good, but I honestly dont want V-MODA to produce a good product and pay so much for production if there is no use for it (and I know Val isn't a fan of following trends or market needs analysis.)
Apple doesn't like to have to depend on third parties for any software. For years, their software development on the Mac was hijacked and screwed up having to want for other companies to fix and update their products, so they have been writing their own versions of some software, such as iWork and iLife, as well as securing the ability to deliver audio and video via ALAC, AAC and H.264 and depreciating unnecessary third party stuff, such as Java and Flash.
The portable market here is huge. When I started, portable rigs consisted of an iMod with an expensive LOD or even a very expensive box with VCAPs (yes, just a couple of capacitors!) attached to an amp for use with, say, Ultrasone Edition 9s. The only custom IEMs well-known on the market were from Ultimate Ears and HD-650s were high-end headphones (ignoring Stax) or the MDR-R10s and HP-1000/HP2 etc, both discontinued.
Have a read of this thread to see how crazy it was. Now, with the digital out available on the iPod and companies coming out with genuine solutions that aren't just a change of capacitors and very expensive wire, along with a wide variety of custom IEMs, there is actually the possibility of truly portable high-end audio.