kelly
Herr Babelfish der Übersetzer, he wore a whipped-cream-covered tutu for this title.
- Joined
- Jan 1, 2002
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When I was at the Dallas stop of the World of Headphones tour, I was talking to Tyll about the texture quality of the McCormack. I told him the MID (and McCormack's amps in general) just do the absolute best job of speed, tonal accuracy and texture. Tyll shrugged and said, "it's too much texture if you ask me." A little flabbergasted, I decided to let it go rather than persue and argument. Judging from the HeadRoom amps, they seem to like that almost overly smooth heavy solid sound that could only have come from a lifetime of loving Krell gear. I understand it, I just don't agree with it.
So then I got this SACD player, right?
I picked up Boston's first album on SACD. I'm not really the biggest Boston fan but one thing I'd always loved about the band was that they used only analog equipment for all of their albums and they had very high production values. I guess when you release one album every ten years you can afford to be picky. Anyway, with that in mind--I had to hear how it sounded on SACD.
To my delight, digital artifacts are completely missing--as expected. It's a very analogue like sound and it's exactly what I was looking for in that respect.
...but it seems like the engineer played with the album a little. As if he said, "ooh I have a new toy that can do this" and I swear, the way I hear it, the closely mic'd individually recorded guitars sound like they have more texture than I've ever heard from an amplified electric guitar.
And here I am thinking about what Tyll said. Is there really too much of a good thing? It's fun to listen to and easy to lose yourself in, but it really does sound unnatural.
Anyone else finding this kind of quality in SACDs?
So then I got this SACD player, right?
I picked up Boston's first album on SACD. I'm not really the biggest Boston fan but one thing I'd always loved about the band was that they used only analog equipment for all of their albums and they had very high production values. I guess when you release one album every ten years you can afford to be picky. Anyway, with that in mind--I had to hear how it sounded on SACD.
To my delight, digital artifacts are completely missing--as expected. It's a very analogue like sound and it's exactly what I was looking for in that respect.
...but it seems like the engineer played with the album a little. As if he said, "ooh I have a new toy that can do this" and I swear, the way I hear it, the closely mic'd individually recorded guitars sound like they have more texture than I've ever heard from an amplified electric guitar.
And here I am thinking about what Tyll said. Is there really too much of a good thing? It's fun to listen to and easy to lose yourself in, but it really does sound unnatural.
Anyone else finding this kind of quality in SACDs?