Me thinks Jeff has created a Head-Fi account for everyone in his town to win a bet!
drftr
The massive numbers are people without HF accounts.
Me thinks Jeff has created a Head-Fi account for everyone in his town to win a bet!
drftr
But the 30-something members are actively subscribed to the thread, correct? If true, then what is the group that does have a HF account, and is passively watching the thread instead of actively? I mean, at any given moment there must be way more HF members reading some thread than the current 31, as most of that number seem to be regulars. And with a zillion threads on HF it seems unlikely they're all after cooled water.The massive numbers are people without HF accounts.
Awesome write-up and observation Rock!
Empire Ears Odin - initial impressions.
For some reason I was expecting these to be bass cannons-- they are not that at all. In fact, the excellent quality of bass aside I can't imagine an IEM more different than the Legend X. The first thing that jumps out at you with Odin is the massive amount of detail & clarity you're presented with-- the sound the Odin puts forward is literally swimming in detail...you hear everything: every nuance, every detail...in live sets I'm half expecting to be able to pick up threads of a conversation people are having in the audience. Staging is deep and imaging is spectacular.
Mids are forward and clear... too forward a times but I'll get to that later. Timbre of the mid-range is decent-- it doesn't give its BA-ness away too glaringly like the mids on the Oriolus Reborn (the only other IEM with BA mids I've heard recently)...but I do miss the richness and natural bodied textures of the mids on the Duo when I jump over to Odin.
In terms of the bass...sub-bass is truly incredible and up there with the best I've ever heard. Fathomlessly deep, nuanced, well textured...never really dominating the scene but always present just lurking below the surface with thunderous rumbling potential.
Ultimately the Odin puts forward a detail oriented signature that, for me, is more suited to analysis than emotional connection. The level of detail is such that I often find myself forgetting the forest for the trees so to speak-- it's not really balanced in the sense that I find myself often getting lost in the details rather than taking in the soundscape as a whole. It's an utterly enthralling listening experience though-- intellectually stimulating if not the most emotionally engaging. Like being sucked into a close knit logical argument more than having your soul stirred in reverie. Subjectively, while I admire what the Odin does well-- I'm in awe of it actually-- ultimately it's not really an IEM whose signature is in line with my personal preferences. For sh1ts and giggles I went and grabbed some squiggs of 3 notable IEMs of the past year for me:
Above are basically my 3 favorite IEMs right now and, while all 3 those IEMs are massively different it's clear that there's a very definite bass to lower mids type FR I am drawn to. Note the elevated sub-bass that stays into the mid-bass before it tapers off with the whole curve being "concave up" and the mid-bass being level or close to level with the upper mids and lower treble for the most part.
Now check out this graph of the Odin vs. Duo:
Note in the above the sharper drop into the mid-bass and lower mids and the supremely boosted upper mids. Looking at the graph going in I thought the upper mids would be wince-inducing...they are not...but in extended listening sessions I often find them a little too energetic at times and with my library this means I am hitting skip more than I would like. Compounding this is the diminished lower mid/mid-bass presence which to my ears means the sound at times lacks a body, punch and warmth that I like. I often place IEMs on two different axes-- one ranging from analytic to musical, and the other ranging from Eastern (upper mids & sub-bass) to western (lower mids & mid-bass). My preference is strongly in the "Western" and "musical" directions and the Odin is imho heavily skewed in the analytic & Eastern directions so while I can say that it is undeniably a great IEM and I have no problem understanding all the praise it has gotten ultimately I have doubts it would suit me in the long term. As with all things in this hobby, YMMV and all that.
This is where I feel EVO flips the script on Odin and why it's a co-flagship...it brings back all that slam, warmth and energy to the bass, yet retains alot of the detail and energy further up the FR but in a more balanced way. I haven't heard Odin myself, but have read enough impressions now to know where it sits, and @Rockwell75's deft analysis just reinforces it for me.Awesome write-up and observation Rock!
Since Odin doesn’t have the lower mid-range warmth and fullness (or coloration, depending on your point of view) unlike your current top 3, I expected this tuning wasn't for you. Although quite extended and well defined in the bottom octaves, Odin definitely doesn’t do “slam” the way mid-bass boosted IEMs do. On acoustic instruments that play down into the low bass, such as contrabass, timpani, piano, organ, contrabassoon, it is nigh incomparably realistic. On Fender bass, synth, rock drum set, or any instrument that is as much about power and impact as it is about pitch, timbre, and duration, the thrill, though not gone, is not there the way it is with, oh, big Penon Volt or Z1R.
Due to more mid/upper treble presence on Odin. Upper mids come out a touch sharper. This is what gives Odin the edge on mids detail, but at the same time might become too harsh for others.This is where I feel EVO flips the script on Odin and why it's a co-flagship...it brings back all that slam, warmth and energy to the bass, yet retains alot of the detail and energy further up the FR but in a more balanced way. I haven't heard Odin myself, but have read enough impressions now to know where it sits, and @Rockwell75's deft analysis just reinforces it for me.
Wait till you hear EXT…My preference is strongly in the "Western" and "musical" directions
Wait till you hear EXT…
Awesome write-up and observation Rock!
On acoustic instruments that play down into the low bass, such as contrabass, timpani, piano, organ, contrabassoon, it is nigh incomparably realistic.
Wait till you hear EXT…
It's tuning has always been somewhat divisive
I'll be curious about your impressions (especially build & materials quality) of the Athena. I still have a 6-braid one in my cart at Satin's site (no longer even listed at Musicteck)My Dark Sky has shipped too, I might even have it by tomorrow... The as always super fast service from Musicteck.
n6ii-Ti and Athena also about to ship so they will possibly land before the weekend.
Currently eyeing up: Kato, Timeless, Serial, FD7 and ZEN PRO
Your transformation to IEM Addict is complete. Congrats. And get well soon!My Dark Sky has shipped too, I might even have it by tomorrow... The as always super fast service from Musicteck.
n6ii-Ti and Athena also about to ship so they will possibly land before the weekend.
Currently eyeing up: Kato, Timeless, Serial, FD7 and ZEN PRO