Ugh, that was some dialogue.
But honestly, I am occasionally guilty of looking at the charts, thanks to Tyll and the early days of HeadRoom, crude and suspect as charts may be.
Biggest reason for not putting too much value in the charts is that I don't listen to single tones or tone sweeps that often.
Maybe, when I am using a tone generator for my own purposes, but not really.
When I hear someone say it sounds exactly like the chart, I always appreciate how much they sacrifice for science, listening to tone sweeps that is.
Joking, no offense intended, but reality check required here.
What I do appreciate is when someone says how it actually sounds like a human voice, or a string instrument, or a concert hall, or a track recorded in a sound booth.
Whatever, has to have some relationship to actual soundscapes we encounter and wish to reproduce.
On another of the recent OT tracks, a little appreciation for Tyll and his contribution to our obsession, though many of us may not know it.
Using the Internet Archive WayBack Machine, here is a listing of Tyll's headphone amp offerings in March 2005, just before he redesigned the lineup.
From $149 to $3880. More than 30 offerings, some just feature variations, but at least a dozen different designs:
https://web.archive.org/web/2005030...one.com:80/layout.php?topicID=3&subTopicID=27
The subsequent designs were presented on different web pages rather than a single list, you can follow the links:
https://web.archive.org/web/2005070...com:80/products/headphone-amps/headroom-amps/
Here's a the list of just the miniature desktops:
https://web.archive.org/web/2005070...eadphone-amps/headroom-amps/the-desktop-line/
"Tyll’s business plan was simple: do a good job selling headphones, and make killer amps to go along with them."
https://web.archive.org/web/2005030...one.com:80/layout.php?topicID=7&subTopicID=73
Thanks, Tyll, for all of that. And all those freaking charts!