TrollDragon
Headphoneus Supremus
With apologies to The Dragon...
Don't mind me.
Spin it up our EE Bokor.
With apologies to The Dragon...
Well, both you and I know well enough that music also happens in the time domain, and not just the frequency domain. So something that measures super flat may still have its own behavior in the time domain that we can't "see" on a graph that has... no time axis.
We probably would be able to measure that but I suspect people don't want to... because then who would go out and buy $100 amps anymore?
And then there's the fact that there really is no such thing as a "flat" frequency response. They have been trying to correct the "flat" frequency response curves as of late...
But then the other side of the equation would start to sweat profusely because that would mean another issue: that every single audio equipment we have designed up until yesterday would not have a "flat" frequency response.
Such is the state of this hobby.
With apologies to The Dragon...
Sure, no headphone has a flat frquency response, and they all have prettty rough looking square wave response.
But surely you're not saying that a good amplifier doesn't have flat frequency response?
It's only flat within the audio bandwidth, and it will have a tolerance, say +/- 0.1 dB, but for all intents and purposes a good amplifier is flat.
And a good analog headphone amplifier will have good square wave response.
No, I'm not saying a good amplifier doesn't have flat frequency response. I am saying that there are other factors that affect the quality of an amp that we can't see with a frequency response graph.
But if we have to consider the frequency response graph, I think the burning question would be: "is it flat when it's driving a hard load?"
A headphone is both a capacitive and resistive load in real life. And that's not to mention the resistive load varies with frequency due to mechanical aspects. Heck, it's not completely the same between left and right channel either. This should more or less introduce slight distortion in real life. High impedance headphones like the DT880 600 are probably less affected by this because the resistive load would dominate, but it's still a factor either way unless somebody would like to show me otherwise.
Beyond that, the "super flat" O2 when driving certain loads may still not be perfectly flat with its frequency response. See here:
http://scientistsaudio.blogspot.com/2012/06/leckerton-uha-6smkii-part-1.html
That's a purely resistive 150 Ohm load.
Now some may argue that the variance should not be "audible" (0.1dB is not audible), but it does prove a point: it's not "perfectly flat".
And notice how bad the more expensive iQube measures. Yet you can go ahead, read some reviews, and it's typically rated higher than both the O2 and Leckerton amps.
I'm still not saying that a good amp should not have a flat frequency response though. What I'm trying to say and show is just this:
The frequency response of an amplifier is not the only determining factor of its sound. There are amps that don't have a flat frequency response that people typically prefer over amps that have flat frequency response.
The Leckerton and the O2 look reasonably flat, sure they have a touch of roll-off at the top and the bottom end of the spectrum, but it's so low that it's practically insignificant.
It may have been nice if Mr. Scientist had compared 150 Ohms to no load and something in between as well, like 30 or 50 or 60 Ohms.
You can't really tell how much resistance, inductance and capacitance a headphone has unless you have some more data, like a set of impedance curves with amplitude and phase. It doesn't really follow that a 600 Ohm load headphone is dominated by resistance.
Anyway, how do you define a "hard load"? A lot of capacitance? A lot of inductance? Too low a load impedance for the amp?
Here's a good article from Benchmark, the article talks about the benefits of an amp with very low output impedance:
http://benchmarkmedia.com/blogs/white-papers/11653109-the-0-ohm-headphone-amplifier
Man, that iQube has some high frequency roll off going on!
If anyone has any issue with the lack of warmth and thump in bass on the 880/600 with stock pads, and doesn't want to spend a ridiculous amount of money on aftermarket pads, I was experimenting and found a nice compromise. Take some electrical tape around the outside of the pads, leaving about 1/3 of the velour showing next to the ear. improves richness and bass impact without diminishing the beautiful highs. I tried completely covering the outside, but it effected the treble way too much, and made the bass muddy. Went through a few experiments with the tape, but the simplest was the best.
Its a silly easy thing to experiment with. and highly tunable with just exposing different amounts of velour.
Yes, over time this would gunk up the pads, but its a temporary solution to a permanent answer.
anyone else do any experimenting with the pads?
So I picked up an O2 this morning for a good price. I'm hoping the set up as follows sounds decent enough to get me started.
Aune T1 (Golden Lion 6922/E88CC tube) > JDS O2 > DT880 (250ohm)
If anyone can say anything about the pairing and power of O2 with 250ohm DT880 that would be much appreciated.
I have both the O2/zOD.aC and the DT880s. The two sound very good together with ample volume.
+1, O2 powered my 600ohm 880s pretty nicely. The only issue that I had was that it wasn't enough, even on high gain, for pc gaming which runs low on the mix. I max out the o2 trying to get decent volume and there are times when whispers are unintelligible. Otherwise, great pairing.
Sounds like an issue on your volume out on your PC being too low.+1, O2 powered my 600ohm 880s pretty nicely. The only issue that I had was that it wasn't enough, even on high gain, for pc gaming which runs low on the mix. I max out the o2 trying to get decent volume and there are times when whispers are unintelligible. Otherwise, great pairing.
If I remember correctly, you are talking about reactance. Correct?