Often I've come across the THD numbers and its influence on the musicality, but moreso, the controversy on whether the euphonic distortions result in a more pleasant but less fidelity vs the euphonic distortion enhances fidelity. This is an area I'm not sure about. I have not had the experience with real tube amplifiers for headphones, so I am curious myself. But on speaker setups, the way i experienced sound from a good setup (tube amps/vintage speakers) the sound didn't come out like lasers (fast and accurate like some speakers at the hifi store) but rather like vibrating strings of sound. This was nice with psychedelic type music with electric guitars (so maybe one can argue it enhanced the experience of hearing the electric guitars) but some of this rubbed off on the voices as well,basically everything seemed to vibrate, but pleasantly. This different from a crappy distorting speaker. It felt like the music entered but there was some afterglow effect where the music was bouncing on skin like sand grains. The ears relaxed, and the body just absorbed all of it. It was all encompassing, euphoric. Whether that is at some cost of fidelity? It doesn't seem there is clear cut answer. Those OTL/ high end tube amps I'm sure they get to try and recreate this, and i wish i knew how close you can get. But I dont know if those will allow one to feel they are swimming in music with body buzzzing . Crystal clear accurate speakers are nice, but the feel is different. I guess kind of like the reference sound vs musical headphones battles here of what is better.
Will these OTL tube amps really so controlled in that they only add the euphonic distortions to certain instruments, while not overly coloring other instruments which don't need their timbers altered by the colorations? What about voices, they would be colored as well right?
Maybe someone can enlighten me
Though this stuff is interesting, it is also very perplexing, especially for those without acoustic engineering backgrounds