If now you’re trying to say that an IEM sounds like open cans 99% of the times, to me you’re making statements as absurd as in the dedicated headphones forums.
HD800 were replaced by 800s a few years ago, please tell me a song to try when I can hear them farting.
I might not understand your mention to the studio: do you mean using an IEM in a studio for critical listening?
You know, one thing is to show that to spend money in DAP/DACs is useless, I was into that game and I agree not based on strange ideas but for I cannot hear any difference whatsoever between any combination. The myth of DACs was more than properly debunked here.
Still, if the game with cans becomes ‘the less money I spend the smarter I am’ and any can, IEM, open, closed, planar, whatever other technology or kind, sounds the same with a proper equalizer, I think I can hardly agree.
Are you getting upset over people being realistic on a objective forum?. The only abusrd case here is you assuming that stuff like the HD800S is endgame when the K702 already does very wide staging for £105, The ER3XR with proper fit will be more on par on planar for speed/detail while being £140. By EQ the Ety's can handle 10db while the HD600/HD800 give up at +6db while distorting.
Your in a world of hurt when 95% of music is mixed on DT 770, HD600, K702 & ER4. Which makes the HD800, L700, LCD4 & more detail claims quite funny. I've never once touted the ER3XR for staging not my fault many "audiophile" TOTL gear unfit for studio use which use netural stuff 98% of the time.