MorbidToaster
Headphoneus Supremus
- Joined
- Apr 23, 2010
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Gain ≠ power. Check the rated specs instead.
It was my memory mistake.
Gain ≠ power. Check the rated specs instead.
Just thought I'd throw it out here (not the HD 800 , that I'm currently listening to Five Peace Band (astonishing jazz/fusion from five masterful musicians) and it's hands down the most incredible listening experience this HD 800 has yet provided/is providing - Nirvana is here.
Great album, no doubt!
I used to have Ray Samuels Protector portable amplifier driving HD800 in balanced mode. It sounded good, every instrument was distinctive and there was clarity as well as a big sound stage. The most expensive part was buying balanced cable and connector.
I already got extended/ detailed treble with my cheaper srh940, but the hd800 sounds much cleaner.
Well, if you say so.... but my Lisa lll is a monster, passes for a home amplifier, is really not portable but is transportable.....two batteries when not connected to the low noise power supply - the LLP-and even with the LLP in line, which doubles its output ability, i would say it only marginally drives the HD800s to it's potencial. I have RSA Hornet which i think puts out the same as the protector but not balanced and i don't really think it drives them, nor does my full size Headamp Pico. It sounds way better than directly out of the headphone output of an ipod but........
Guess it depends on your tolerance level.With a portable I normally think portables do better. The Ed8 is my go to if i use a portable amp and want good sound quality, it is easy to drive and closed. The 800s really need more to sound good....to me.
I was SHOCKED at how much I liked the HD800's out of the TTVJ Portable Tube Hybrid amp. So I bought it from the person I borrowed it from!
The amp takes the edge off but doesn't sound "rolled off". Might not power the lowest bass with the most authority and has a high-pitched ring when moved around but a great pairing, I think.
The major problem I have with the tube portables is the soft imaging and lack of absolute resolving power w/ the finest details but the synergy is pleasant sounding if one can handle the trade-offs. I know Mike at Headfonia has no trouble making that trade-off w/ his HD800 and other 'analytical' type phones. You should hear the RX3.....
Has anyone here spent any meaningful time with the SR-507 & HD800? (Meaningful time excludes meets, whether large, mini or micro.)
Interested in how the transient response compares to the HD800.
If it means anything, my experience with the SR-202 shows that transients is the one thing they can't do. Especially low pitched ones. For example, it has no bass thump (which is a low pitched transient tone), but for long bass tones extension is very deep. Additionally, short length percussion sounds lack impact.
The SR-202 is very similar to the SR-507 in design, so I presume it will present the same issue.
You should try asking the same question in the Stax thread.