shampoosuicide
500+ Head-Fier



Over the past two months or so, I've been doing something of a casual amp and source comparison. My primary cans are the Hifiman Edison XS and Sennheiser HD 800 S.
Sources
- Denafrips Ares II
- iFi ZEN DAC Signature V2
- Schiit Bifrost 2
- Feliks Echo 2 [ Genalex Gold Lion ]
- Lake People G111
- Monolith Liquid Platinum [ Genalex Gold Lion ]
- Schiit Jotunheim 2
- Singxer SA-1
- Schiit Asgard 3
- Schiit Magni 3
- Schiit Magni 3+
- Schiit Modi
- Schiit Valhalla
- Schiit Valhalla 2
I'm still consolidating my impressions but here are a few early thoughts. I'll be frank: with the exception of the Valhalla 2, I've found myself underwhelmed by most of the Schiit gear I've owned. Both the Magni 3 and Magni 3+ sounded strained and boxed-in, with a forward "wall of sound" type presentation. I also found the tonality somewhat off, almost as if it were aiming too strenuously and self-consciously at an analog tone, but not quite succeeding. It could also sound somewhat etched, with blunted transients. Within the category of entry-level amps, I've owned the Cavalli Liquid Spark, JDS Atom Amp+, and iFi ZEN CAN, all of which do some things better than others, but the Magni was by far my least favourite.
The Asgard 3 is a significant step up from the Magni 3+, to be sure. It has a far more spacious soundstage, a greater sense of effortlessness, and a smoothness and warmth that was sorely lacking with the Magni 3+. It's also an amp with a distinct character--thick, lush, dark, slow--and imparts this same character to the cans it's paired with. This makes it somewhat limited in terms of its versatility. It's still a solid amp in its price segment, but in a head-to-head comparison with the now-discontinued Gustard H10, itself based on the Violectric V200, and a similarly smooth and warm-leaning amplifier, the Asgard 3 simply paled in comparison. It sounded oddly tunnelled-in, and lacked the same degree of openness, ease, transparency, and clarity as the H10.
This brings me to the Jotunheim 2. There was no opportunity to audition Jot 2 locally, so I bought it blind, and figured I'd return it if I didn't like it. Here's the happy news: this is easily one of the best--if not the best--amps I've heard. It is certainly no worse than the G111 or Monolith Liquid Platinum or Singxer SA-1. There are a few pieces of gear that immediately strike you, "This is something special." The Jot 2 is one of them. The first thing that struck me was the treble: it's incredibly refined and natural. There's nary a trace of your typical SS nasties: no glare, sheen, or excessively sharpened edges. Bass is voluminous with a great sense of tactility, whilst displaying an excellent sense of grip, control, and power in the low-end. Staging is decent, but separation and transparency deserve special mention. Overall, I'd characterise the Jot 2 as powerful, open, clean, yet natural.
Colour me a happy camper.
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