bagwell359
Headphoneus Supremus
MC's can ring, I always damped my MC's pretty heavily, but I have never heard the Hana - so looking forward to it.I have tried the lower settings. My SL documentation says 400…Stjarna only goes up to 350…. I’m not (yet) sure I can tell the delta between the two, so for now, all the critical listening has been at 47k. Once I go below 350, there are IMMEDIATELY noticeable deleterious effects… 350 - I *think* I hear subtle discrepancies in the wrong direction? Anyways, next time you’re here you can see what you hear.
Yup. Morbidly poor digital recordings/transfers to CD, and DAC/transports in their infancy it was a miserable choice. Finally, the Krell KPS-20i came around, and it actually sounded like music, but I was too deep into analog to bite. The Gungnir MB A1 & Yggy A1 made the path doable, and here I am, happily un-shod of analog (except recordings that don't exist on digital).As you know from my journey, all along digital had a “place”, but it never surpassed analog because it always just sounded wrong to me in this system. After my great results the Kara and Skoll, I decided to give a good DAC one more try… found a gent here selling his Yggy OG A1 (which was indeed reviewed extremely well in TAS by ears I “trust” from all those years). And now, digital sounds good to me (finally) when “raced” with equivalent vinyl. For the record, it reminds me very much of the Theta sound I had just before I abandoned digital and concentrated on snagging as many great LP’s as possible from all my peers abandoning the format. I do very much regret selling my Theta Data transport (the big old adapted Laser Disc player one - many here will remember it). At that time, Theta was giving me good (enough) sound, it was just that digital was (mostly) still execrable recorded, brick-walls, hash in the time domain, etc…
When funds become available looks like a Kara & Wotan will be the way for me. I considered estat headphones and a better than BHCs tube driving high impedance cans - such as ZMF's - but between the expense and non repairability of estats and the fact I have listened to headphones for 2 minutes since I got the BMR's - it seems obvious to improve the chain for the BMR's, and blow off the cans.Long post to start the day (heck it’s raining and muddying so no long dog walk), but those kinds of exposures, as well as Stjarna in my system, are precisely why I am looking forward to hearing your very excellent Philharmonic BMR’s in my room. Because my Classe’ DR9 amp is NOT going to last, nor will the suspension on my Duettas. They are extremely synergistic with each other. Yes, if the DR9 dies first, I could replace with a Wotan, and I’m quite certain (based on my Schiit experience to-date) that Wotan would be quite excellent with the Duettas… but then, when THEY fail, I must replace with something, no? Perhaps then might be time to switch to tubes driving dynamics?If the speakers die before the amp, I’ll price and suss out the ribbon replacement cost and effort (looks like around $2500 for ribbons, and it’s easy to do the Midrange/Tweeter ribbon, but word is, the bass ribbons a grade a beotch)…
I need more live music. Have had NONE in 3 years since coming back from Texas. Living in greater Austin it was easy, peasy… almost more clubs for music than churches down there, LOL.
Reports of the new ribbon tweet for the Duetta with an outboard xover biamped is supposed to be a major improvement. But, those boys of yours are awfully long in the tooth. Get a pair of BMR towers and audition an amp - price wise don't think you can get a tube to match a Wotan, but if you get to the $5k range maybe (but be prepared to bleed for matched NOS tubes). For me, I solve the musicality of an SS chain with an R2R DAC, which you do too, plus the analog source. Getting a tube amp that will deliver the 20-60 Hz range of the BMRs properly would be costly. Note: Duettas have a magneostat for the low range driver.