recephasan
500+ Head-Fier
- Joined
- Feb 8, 2002
- Posts
- 613
- Likes
- 43
I have recently purchased the HD-600 and have been an owner of the Grado RS-1 and RS-2, powered off a Grado RA-1.
All that I state below is in my humble opinion. This is what I hear and like:
RS-1 and RS-2 are outstanding headphones with clarity and dynamism that surpasses the HD-600 with the stock cable.
Their sound is colored, and this coloring seems odd for the first few minutes after switching from the Senns, but given time to relax, I like it VERY MUCH. It gives the sound a character the plain and dull sounding HD-600 does not have.
Switching from Grados to the Senn. is a somewhat torturous experience
but, again, after a few minutes, I appreciate the soundstage and the detail. It is, however, quite lacking in highs and thus is inferior in the overall enjoyment it provides.
I might agree that the HD-600 possesses high potential if driven by a proper source (at least from what I've read so far), and the cable upgrade is something I'm considering for the future.
I think the RS-2 is better for classical music and the RS-1 for fewer instruments and more intimate placement. Neither headphone is fatiguing, but I prefer low volumes for extended periods. I have found the HD-600 to have WIDER soundstage, but NOT necessarily BETTER. I like the coloring the Grados provide for classical music, but I also like the HD-600, as well. It will be a game of switching headphones for me until I settle on which one works better for which recording.
The HD-600 has deeper bass, but not tight like the Grados. If I feel like banging my head to some heavy metal, they are be ideal. For enjoying musicality, synergy and clarity, however, the Grados provide better speed and control. This problem with the HD-600 could be alleviated if I used a Headroom Max amp, but then I believe the Grados would sound much better with them, as well.
As far as comfort goes, I've found ALL of these headphones uncomfortable when they arrived. It was quite an easy task to fix the problem with the Grados, since the headband it a single steel band which, when formed into a U shape, holds them well on my head without the least bit of clamping. The HD-600 is more of a challenge since it is both plastic and metal. I have yet to feel comfortable wearing them.
I do not mean to denigrate the HD-600 or unjustly praise the Grados, trying to justify my investment in them to myself or trying to gain supporters so I can feel good. I realize the HD-600 has further potential which I shall explore given time and money, and I am excited with the prospect of this exploration. I also believe that it would probably take about $1K to do justice to the potential of the Senns with an amp and a cable upgrade.
If I had neither of these cans and:
If I had $150, I would get the SR-125 and CUT THE PADS DOWN (a must with them).
If I had $800 I would get a RA-1/RS-1 combo.
When I have another $1000 to spend on headphone gear, I intend to get an EarMax Pro and the Equinox cable for the HD-600.
What say you?
All that I state below is in my humble opinion. This is what I hear and like:
RS-1 and RS-2 are outstanding headphones with clarity and dynamism that surpasses the HD-600 with the stock cable.
Their sound is colored, and this coloring seems odd for the first few minutes after switching from the Senns, but given time to relax, I like it VERY MUCH. It gives the sound a character the plain and dull sounding HD-600 does not have.
Switching from Grados to the Senn. is a somewhat torturous experience
I might agree that the HD-600 possesses high potential if driven by a proper source (at least from what I've read so far), and the cable upgrade is something I'm considering for the future.
I think the RS-2 is better for classical music and the RS-1 for fewer instruments and more intimate placement. Neither headphone is fatiguing, but I prefer low volumes for extended periods. I have found the HD-600 to have WIDER soundstage, but NOT necessarily BETTER. I like the coloring the Grados provide for classical music, but I also like the HD-600, as well. It will be a game of switching headphones for me until I settle on which one works better for which recording.
The HD-600 has deeper bass, but not tight like the Grados. If I feel like banging my head to some heavy metal, they are be ideal. For enjoying musicality, synergy and clarity, however, the Grados provide better speed and control. This problem with the HD-600 could be alleviated if I used a Headroom Max amp, but then I believe the Grados would sound much better with them, as well.
As far as comfort goes, I've found ALL of these headphones uncomfortable when they arrived. It was quite an easy task to fix the problem with the Grados, since the headband it a single steel band which, when formed into a U shape, holds them well on my head without the least bit of clamping. The HD-600 is more of a challenge since it is both plastic and metal. I have yet to feel comfortable wearing them.
I do not mean to denigrate the HD-600 or unjustly praise the Grados, trying to justify my investment in them to myself or trying to gain supporters so I can feel good. I realize the HD-600 has further potential which I shall explore given time and money, and I am excited with the prospect of this exploration. I also believe that it would probably take about $1K to do justice to the potential of the Senns with an amp and a cable upgrade.
If I had neither of these cans and:
If I had $150, I would get the SR-125 and CUT THE PADS DOWN (a must with them).
If I had $800 I would get a RA-1/RS-1 combo.
When I have another $1000 to spend on headphone gear, I intend to get an EarMax Pro and the Equinox cable for the HD-600.
What say you?