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Headphoneus Supremus
I’m just a hoarderBut how many thousands do you have in your iem investment portfolio?
I’m just a hoarderBut how many thousands do you have in your iem investment portfolio?
Indeed. I have to be honest when I say that those two releases kinda jaded my view on the market; at least a little bit. It's also why I recently declined a review offer from a brand I've worked with multiple times in the past (not an IEM), because they may or may not be planning on approaching those sorts of price points. I'd personally love to see more Jolene's, or EVE20's, or EVO 10's on the market. But, you can't always get what you want. Here's to hoping those disruptors keep coming, and the $5-6K trend slows down a bit; trickles down, at least.When Oriolus started raising prices of Traillii to $6599 and thereby increasing resale value of Traillii on second hand market, it reminded me of the watch industry. What a world that would be, where iem industry starts to mimic watches.
The MSRP's of summit iems like Mason FS and Traillii are already approaching this category!!![]()
It's a bit more complicated. If you ever sat next to a violin, brass section, etc. it's not really a warm silky sound. If can become warmer and more diffuse depending on the concert hall and the distance between the listener and instruments. I'll go out on a limb and guess that aside from some classical, most mics are set relatively close to the instrument, so the actual reference sound may be more raw than warm. At the end of the day, people should just buy what sounds good to them.Easy answer, real music isn't “analytical, transparent colder sound, ” that's “hifi, ” and something you won't hear listening to live music.
I think the trend towards bundling $2k cables with IEMs and not giving buyers a choice is more problematic to be honest. But yes, let's hope those two are anomalies, regardless of the fact that Traillii at least justifies the cost (though the price increase leaves a sour taste and smacks of profiteering).Indeed. I have to be honest when I say that those two releases kinda jaded my view on the market; at least a little bit. It's also why I recently declined a review offer from a brand I've worked with multiple times in the past (not an IEM), because they may or may not be planning on approaching those sorts of price points. I'd personally love to see more Jolene's, or EVE20's, or EVO 10's on the market. But, you can't always get what you want. Here's to hoping those disruptors keep coming, and the $5-6K trend slows down a bit; trickles down, at least.
I've written and rewritten my paragraphs-long - admittedly, fairly resigned and bleakI think the trend towards bundling $2k cables with IEMs and not giving buyers a choice is more problematic to be honest. But yes, let's hope those two are anomalies, regardless of the fact that Traillii at least justifies the cost (though the price increase leaves a sour taste and smacks of profiteering).
It can only be a DAP or cable…wondering which oneIt's also why I recently declined a review offer from a brand I've worked with multiple times in the past (not an IEM)
There was a time I thought JH IEMs were too expensive. Now I look at their IEMs and the prices actually seem quite reasonable. Whodathunkit?Indeed. I have to be honest when I say that those two releases kinda jaded my view on the market; at least a little bit. It's also why I recently declined a review offer from a brand I've worked with multiple times in the past (not an IEM), because they may or may not be planning on approaching those sorts of price points. I'd personally love to see more Jolene's, or EVE20's, or EVO 10's on the market. But, you can't always get what you want. Here's to hoping those disruptors keep coming, and the $5-6K trend slows down a bit; trickles down, at least.
It's a bit more complicated. If you ever sat next to a violin, brass section, etc. it's not a warm silky sound. It can become warmer and more diffuse depending on the concert hall and the distance between the listener and instruments. I'll go out on a limb and guess that aside from some classical, most mics are set relatively close to the instrument, so the actual reference sound may be more raw than warm. At the end of the day, people should just buy what sounds good to them.
I mentioned this in another post. To me, there's 100% no chance it is conducting any sound through any bone. Imo it acts like a big, tubeless driver (wouldn't be surprised if it was full range or treble only), creating said "airy" effect
Should we start buying up all stock of Mason and Traillii in hopes of ridiculous markups like the hulk!?!?Indeed. I have to be honest when I say that those two releases kinda jaded my view on the market; at least a little bit. It's also why I recently declined a review offer from a brand I've worked with multiple times in the past (not an IEM), because they may or may not be planning on approaching those sorts of price points. I'd personally love to see more Jolene's, or EVE20's, or EVO 10's on the market. But, you can't always get what you want. Here's to hoping those disruptors keep coming, and the $5-6K trend slows down a bit; trickles down, at least.
One of the greatest anime plot twists of all time.There was a time I thought JH IEMs were too expensive. Now I look at their IEMs and the prices actually seem quite reasonable. Whodathunkit?
Very well said. I'm not sure what happened to tech getting better for the same or less money with each iteration, but that rule doesn't seem to apply to IEMs (as it does to DAPs and other electronics for example).One of the greatest anime plot twists of all time.I just personally admire the mentality they're showing with the Jolene, which is, "How can we appropriately price this to disrupt the market?" rather than, "How high can we push this and still have people buy it?" Perhaps, it's a luxury or privilege that's afforded by their massive success in the pro scene. They don't feel as much pressure to be the top dogs in the enthusiast market, so they can afford to make moves like that. But, man, imaging the market if every brand thought that way. Rather than constantly having to, as @gLer put it, justify their exponentially rising costs, they're all competing to price their new tech or, more so, their improved tuning techniques lower and lower instead.
one thing worth mentioning Imo is that a lot of the prices already factor in pretty substantial discounts - I pretty much refuse to buy almost anything if it doesn't come with a 20% off,, with some exceptions such as first purchase from a company.Very well said. I'm not sure what happened to tech getting better for the same or less money with each iteration, but that rule doesn't seem to apply to IEMs (as it does to DAPs and other electronics for example).
With the Bird as an outlier exception - because it IS fundamentally better than most if not all its competitors - I'm not sure how these companies are justifying price increases. Maybe it works differently in a niche market such as ours, where demand and perception determine pricing. It's not that they can't make more to increase supply either, it's that they WON'T to artificially increase demand. It's a choice not to get into the volume game.
Ultimately in a niche hobby we as customers DO have a choice and a voice. Enough of us are in direct communication with the companies that make these products for us, so if there is genuine concern at price increases, we need to make that known, not just mumble into our threads and keep buying their wares.
I buy everything (with the exception of tips and cables) in mint used condition so anything less than 50% off retail and I'm walking awayone thing worth mentioning Imo is that a lot of the prices already factor in pretty substantial discounts - I pretty much refuse to buy almost anything if it doesn't come with a 20% off,, with some exceptions such as first purchase from a company.