Tanchjim Hana 2021 Impressions
The original Hana was not an IEM I appreciated very much. Followed up by the equally perplexing Darling, it cemented Tanchjim as being something of a maligned Moondrop to my ears instead of the more mature, older brother that the Oxygen initially set the company up to be. Nonetheless, perhaps Tanchjim has recognized this because they’ve released two legitimately good sets since then: the budget-oriented Tanya and now the Hana 2021. I actually wrote some brief impressions on the Hana 2021 a few weeks ago, but given the opportunity to listen to it more closely thanks to a loan from
@MRSallee, I wanted to come back to this IEM because I think it deserves a spotlight.
Tonally, whereas the original Hana was more bass-light and sported an extremely thin midrange, the Hana 2021 brings back
up the bass and pulls
down the upper-midrange. You effectively have a dead-ringer for the Oxygen, it’s older brother, and the Moondrop $100 single DDs in terms of tuning. In practice, the Hana 2021's a little more bassy and more lower-treble oriented than the KXXS, and it does not exhibit the haziness of treble reverb that the KXXS exhibits. Perhaps the former is due to better separation and tighter transient attack; percussive hits consequently come across as more defined. But in general, you could just take a lot of my comments about the Oxygen and apply them to the Hana 2021.
That in mind, the real interesting thing for me is the intangibles. Something that I neglected to talk about in my Oxygen impressions, and that might surprise some readers, is that not all dynamic drivers are created equal when it comes to timbre. I’m guilty of perpetuating it myself; that is, the common misgiving that “this IEM has a dynamic driver, therefore the timbre is good". That's definitely not always true, and believe me, I’ve heard my fair share of DD IEMs with bad timbre. While the KXXS is definitely one of the better performers in the timbre department, the Hana 2021 is simply a step or two ahead. It has slightly sharper attack transients, yet it maintains slower, smoother decay. It's just so damn pleasant to hear, and
this is what comes to mind when I’m talking about good DD timbre.
Furthermore, I don’t know how Tanchjim does it - and it’s surprising, really, given how tiny these IEMs are - but all of their IEMs are above average in the imaging department. The Hana 2021 has slightly out-of-head imaging with some decent soundstage height, particularly to the direct left and right. Vocals and percussive instruments have a floating sensation to them that is simply uncanny for an IEM of this price. Again, we’re talking “for an IEM” and "for this price," but it’s still pretty impressive. Dynamics are also a solid tier above any of the Moondrop single DDs. The Hana 2021's bass only slams slightly harder than the KXXS and the Oxygen (I'd need to A/B); however, there's a good sense of vibrancy to the frequency spectrum that, quite frankly, makes the KXXS come off as slightly etched by comparison. And if you want to bring in the bogeyman of the sub-$200 bracket, the Etymotic ER2XR, the Hana 2021 also has it beat for these metrics.
Admittedly, I was a tad skeptical when
@MRSallee titled his YouTube review “the upgrade you’ve been looking for” - that upgrade obviously being a reference to the Moondrop single-DD lineup. But after spending more time with the Hana 2021 and running A/B comparisons, I have to say:
I think this is it. At every turn, it’s a smidge better than its younger brothers from another mother without any drawbacks. Listeners who were holding out for a baby Oxygen also need look no further. The Hana 2021 is definitely getting added to the sub-$200 recommendations list.
Score: 5/10 6/10