unclejr
1000+ Head-Fier
- Joined
- Feb 26, 2007
- Posts
- 1,044
- Likes
- 10
Hey, looking at some new 'phones. Curious how Alessandro MS-1s sound but don't know of any local retailers. Looking at the Grado SR-125s also, and I have canceled out the Sennheiser HD555s (muddy midrange on one of my test pieces).
But I am curious about what jazz-heads are listening to as a metric for their 'phones. I've usually got a playlist with at least the following:
--Haden/Jones "Nobody Knows the Trouble I've Seen" from Steal Away (for clarity of bass notes)
--Miles "If I Were a Bell" from Complete Live at the Pluged Nickel 1965 (for the quality of "Dirty Trumpet")
--Herbie Han**** "Rockit" from Future Shock (looking for a richness/robustness in the bass on the scratch)
--Getz/Gilberto "Girl from Ipanema" from Getz/Gilberto (vocals, mostly)
--Ellington/Mingus/Roach "A Little Max" (Alt Take) from Money Jungle (detail in drums throughout the range, a great, simple metric)
--Monk "Ruby My Dear" (Take 3) from Solo Monk (those piano notes seems tricky for phones to reproduce accurately)
--Mingus "Better get hit in your soul" from Mingus Ah Um (stereo separation makes it nice to pay attn to different instruments, also looking for cleanness/brightness in the horns)
--Coltrane "Resolution" from A Love Supreme (sax clarity, that pesky piano solo stuff)
--Soulive "Turn It Out" from Get Down (engineer's deal, but blend of bass keys, drums, guitar, organ and qualities in each - especially Kraz's guitar)
and some non-jazz:
--Black Star "Thieves in the Night" from "Black Star" (general hip hop sound, not really terribly picky on this guy)
--Maxim Vengerov performing a Max Bruch Violin concerto no. 1 Adagio (classically trained on violin, so I like to be picky on this one)
--John Hurt "Since I've Laid My Burden Down" from Complete MJH (vocals, mainly)
Yeah, so all of these are sourced from an iPod video, mostly AAC 128 kbps VBRs encoded from CD with QT via iTunes - it's a pragmatic thing.
I'm curious - what jazz are others listening to when testing headphones??
But I am curious about what jazz-heads are listening to as a metric for their 'phones. I've usually got a playlist with at least the following:
--Haden/Jones "Nobody Knows the Trouble I've Seen" from Steal Away (for clarity of bass notes)
--Miles "If I Were a Bell" from Complete Live at the Pluged Nickel 1965 (for the quality of "Dirty Trumpet")
--Herbie Han**** "Rockit" from Future Shock (looking for a richness/robustness in the bass on the scratch)
--Getz/Gilberto "Girl from Ipanema" from Getz/Gilberto (vocals, mostly)
--Ellington/Mingus/Roach "A Little Max" (Alt Take) from Money Jungle (detail in drums throughout the range, a great, simple metric)
--Monk "Ruby My Dear" (Take 3) from Solo Monk (those piano notes seems tricky for phones to reproduce accurately)
--Mingus "Better get hit in your soul" from Mingus Ah Um (stereo separation makes it nice to pay attn to different instruments, also looking for cleanness/brightness in the horns)
--Coltrane "Resolution" from A Love Supreme (sax clarity, that pesky piano solo stuff)
--Soulive "Turn It Out" from Get Down (engineer's deal, but blend of bass keys, drums, guitar, organ and qualities in each - especially Kraz's guitar)
and some non-jazz:
--Black Star "Thieves in the Night" from "Black Star" (general hip hop sound, not really terribly picky on this guy)
--Maxim Vengerov performing a Max Bruch Violin concerto no. 1 Adagio (classically trained on violin, so I like to be picky on this one)
--John Hurt "Since I've Laid My Burden Down" from Complete MJH (vocals, mainly)
Yeah, so all of these are sourced from an iPod video, mostly AAC 128 kbps VBRs encoded from CD with QT via iTunes - it's a pragmatic thing.
I'm curious - what jazz are others listening to when testing headphones??