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My system sounds better than ever today. I took about an hour out of my workday today to give my system a tune-up. Here's what I did:
A later listen to another album (on CD) that I am very familiar with -- Miles Davis' The Complete Concert: 1964 (My Funny Valentine and "Four" & More/Recorded Live in Concert) -- presented pretty much all the same benefits mentioned above. By the way, if you're a Miles fan and you don't have this one, get it as soon as possible, as it's an amazing, driven performance (reading the liner notes explains some of the reason for the strong emotions behind the night this event took place).
Gladiator likewise sounded better than I've ever heard it. What has recently become one of my favorite testosterone-driven classical soundtracks has enjoyed the benefits of the tune-up too. Oddly enough, this album sounded almost less warm than before the tune-up, but not in an offensive way. More details in the upper registers were very noticeable to my ears after the tune-up. I liked what I heard so much, I listened to it two times in a row.
I'm a little upset with myself for doing more than one tweak at a time, as I'm now unable to tell which one contributed to what. Based on the amount of oxidation that came off those Tara RCA plugs, I'm guessing that the cleaning, and subsequent ProGold conditioning, of those plugs may have resulted in the greater upper register detail. Can anyone here who has also used these Caig products (DeOxit and ProGold) comment on how long these benefits last if indeed these are at least part of the reason for the improvements I'm hearing? I figure I'll do this tune-up every three months unless someone here tells me that I should ProGold the contacts more often (don't worry, I wipe off all the excess ProGold, so if there's a coating left behind, it's so thin as to not be visible).
I also suspect that the overall detail improvement may have been helped by the isolation provided by the Sorbothane feet. Again, it's too hard to say specifically what's doing what when I did it all at once. I know, I know -- I should have thought about that before I did all this, but time was quite limited.
chych, I know you're probably rolling your eyes right now, but I'm a big-time tweak believer at this point.
I'm listening to Miles Davis' Kind of Blue SACD right now, and the improvements, again, are unmistakable to my ears. It's almost like one of the components in my chain was signficantly upgraded, and it already sounded fantastic before the tune-up.
Components in the tuneup include:
- Based on morphsci's recommendation, I removed the stock feet from my SCD-C333ES SACD/CD player so that I could place the big Audioquest Sorbothane feet underneath with greater flexibility in terms of positioning them. I also very carefully made sure the SCD-C333ES is sitting perfectly level.
- The interconnects I'm using (Tara Labs RSC Reference Gen 2's) were purchased used, and I hadn't cleaned them before. I decided to clean their RCA plugs thoroughly using Caig's DeOxit for the stubborn oxidation, and then treating them with ProGold. You would not believe how much oxidation came off those plugs. I then did the same to the jacks on my SCD-C333ES and HeadRoom Max -- those didn't have much oxidation on them, but still had a bit.
- Cleaned and conditioned the plugs of my headphones (Sennheiser HD-600's and Sony MDR-7506's) with ProGold only, since there was very little, if any, oxidation on them.
- After I then made sure to re-check my cable routing, making sure that the components' power cables weren't touching each other, other power cables, or the interconnects. I also made sure the interconnects were not touching each other, which is sort of difficult because, just aft the Max, they both have to go through a rather narrow opening, and the Tara cables are quite thick. I also gave the whole rig a once-over with the AlphaLab TriField Meter to make sure all components (as well as the interconnects) were not located near the EMI/RFI emitted by my nearby computer gear -- I only did this because I moved the Max to a new location.
A later listen to another album (on CD) that I am very familiar with -- Miles Davis' The Complete Concert: 1964 (My Funny Valentine and "Four" & More/Recorded Live in Concert) -- presented pretty much all the same benefits mentioned above. By the way, if you're a Miles fan and you don't have this one, get it as soon as possible, as it's an amazing, driven performance (reading the liner notes explains some of the reason for the strong emotions behind the night this event took place).
Gladiator likewise sounded better than I've ever heard it. What has recently become one of my favorite testosterone-driven classical soundtracks has enjoyed the benefits of the tune-up too. Oddly enough, this album sounded almost less warm than before the tune-up, but not in an offensive way. More details in the upper registers were very noticeable to my ears after the tune-up. I liked what I heard so much, I listened to it two times in a row.
I'm a little upset with myself for doing more than one tweak at a time, as I'm now unable to tell which one contributed to what. Based on the amount of oxidation that came off those Tara RCA plugs, I'm guessing that the cleaning, and subsequent ProGold conditioning, of those plugs may have resulted in the greater upper register detail. Can anyone here who has also used these Caig products (DeOxit and ProGold) comment on how long these benefits last if indeed these are at least part of the reason for the improvements I'm hearing? I figure I'll do this tune-up every three months unless someone here tells me that I should ProGold the contacts more often (don't worry, I wipe off all the excess ProGold, so if there's a coating left behind, it's so thin as to not be visible).
I also suspect that the overall detail improvement may have been helped by the isolation provided by the Sorbothane feet. Again, it's too hard to say specifically what's doing what when I did it all at once. I know, I know -- I should have thought about that before I did all this, but time was quite limited.
chych, I know you're probably rolling your eyes right now, but I'm a big-time tweak believer at this point.
I'm listening to Miles Davis' Kind of Blue SACD right now, and the improvements, again, are unmistakable to my ears. It's almost like one of the components in my chain was signficantly upgraded, and it already sounded fantastic before the tune-up.
Components in the tuneup include:
- Sennheiser HD-600 headphones
- Sony MDR-7506 headphones
- Sony SCD-C333ES SACD/CD player
- Audioquest AudioQuest Sorbo-Gel Big Feet (Sorbothane vibration dampening component feet)
- HeadRoom 2001-model Max headphone amplifier
- Brick Wall PW8R15AUD series-mode surge filter / power conditioner
- Tara Labs RSC Reference Gen 2 interconnects
- (giggling as I type this one) Cardas RCA Caps (covering unused RCA jacks)
- Caig DeOxit and ProGold (used to clean and treat the external signal-carrying contacts)