So I got the memory foam HM5's, their pleather isn't as soft as the regular ones, the foam disc is stiffer and the extra distance from the drivers is a no-go in my case. I've let them sleep under a huge pile of books, maybe that'll help.
BTW, why don't the neo-ortho designers learn from the vintage ones? The Hifiman manager told me that he never heard a yamie, this might be true after all.
1) Lame attempts at damping: http://www.innerfidelity.com/content/audeze-lcd-x-fazor-and-fresh-listen-current-lcd-2-and-lcd-3
Angel Hair would be far more effective.
Are they improving any? the pads?
I wonder if they still sell the old version as well as the new ones.
Any idea?
I checked but couldn't tell without an email to the seller.
By the way have you seen this
http://www.head-fi.org/t/741698/new-brainwavz-hm5-pads-different-colours-velour-leather
Twaron Angel Hair: people are too cheap to bother maybe? Yet it is ridiculous amounts. And NOT expensive. I filled two fullsized JBL L-88speakers and two original Wharfedale Denton bookshelf ones to spec with a 100 gram sample bag with some to spare I think even...and the first bag is all over the place now
Stuff is absolutely awesome....
I wonder how often manufacturers actually dowse this thread for ideas. Seem very little from what I have read, in the way of damping methods, people with the newer stuff generally seem a bit too focussed on pad rolling without addressing what I see as the most obvious attack point. Right at the source.
pads are important yes but driver attack would be my first thing.
Easily repeatable methods abound.
Sorry for blabbing. I see this all the time.
I was coming in here for something else but now can't recall what that was after seeing leeperry's post
Feel free to ignore the useless rambling.
EDIT: just whipped into my first set of recabled HP-50A ( don't ask -
MDR30 you have some competition now as far as HP-50's
) to tweak details.
this set does NOT have the white front earside damping papery layer anymore
Wow.
Currently consists of rear ring of Arctic material covering outer perimeter of cup vents, ( probably Arctic Cotton magic sauce secret stuff will have to check notes )
then fullsized disk of Arctic material to cover vents again and also rear of driver ( so it overlaps stuff ),
then a direct Arctic disc same size as driver, fuzzy side against driver rear, with a single layer of micropore on backside to bring up details and clean up vocals etc.
Will see if it needs a second layer.
This Arctic material with a back layer or two of Micropore method is proving to be excellent and repeatable effects over a few different arrangements and headphones. Tweakable in that it allows enough pass-through and reflecting and also
cleaning up things in general in the process by exposing details without sibilance like reflex dots tend to do..Completely different effect. Quite something each time it is used in this way = same deal.
Very fascinating actually.
Highly recommended even on a fuzzier felt ( backside always ). YESSIR!
Complete change. You gotta try this setup. yep just VERY UBER clean tight detail increase
without sibilance of any kind.
This is fascinatingly good, and also repeatable. ( same effects as in the TDS-16 and others ) I'll be needing to revisit a few older things to "ultimatize" them now OMG.
Might put my JVC HP-DX700 urge to rest once and for all. ( don't hold me to that
)
yep stoked.
No more sitting in the cabinet from being just average like before..
Was just messaging someone with an HP-3 and described it best: Like dust free clear fresh air after a rainstorm :0
FURTHER EDIT:
For some more tactile pulsating bass slam( still very tight ) remove the outer vent ring of Arctic Cotton. Or go thinner on that for a bit less clean rumble