Oi, it's Duggeh. With an E.
Honestly who would call themselves Duggah?
Well now that I've got a CD playing (the cheap Wharfedale player is now on my rack) and I've got this large icy cold Gin & Russchian poured I can sit down and try and put some thoughts to, well, not paper, but certainly the bright shiny technological marvel that passes for paper in this day and age.
*glug*
Where to begin then?
Let me start by expressing my profuse thanks to MrJoshua for organising this meet, a true gentleman and scholar as friendly and enthusiastic as you could hope for any head-fier to be. Bravo! May your loins be ever full of fruit!
Also a great pleasure to put faces to the names, and names to the nicks. I did forget the names of a whole bunch of you over the day however there is something rather condescending about sticky name tags imo.
It was not of any importance of course because "OI YOU!" is a universally recognised mode of communication.
I was pleased with how much people enjoyed my gear, the Omega 2 got pretty universal love from the assembled masses. The TakeT H2 a lot too. I didn't get a lot of feedback from people on the Ergo AMT and Float Electrostatics, although the Floats spent the first while "charging up". It turned out later of course that they weren't in need of panel charging but that the CD player lead to the Quad 34 preamp was faulty, resulting in the super quiet volume. Gave a good reason to make it the dedicated vinyl amp!
Several people wanted to try the Sennheiser Surrounder and to you all I again express my humble apologies for bringing the wrong mains brick. Sadly we could not even plug them in. A big slap on the wrist for me because I was very keen for people to experience their unique merits.
A great meet and great company. I've had an absolute hoot this weekend. The educational and social experience well worth the trip.
Chears chaps!
To the Headphones Impressions!
I think that just so I get it out of the way, I'll now go with what I didn't like, which was only one thing:
The Darth Beyers. Too much bass there dudes, just plain too much, gobs and gobs and gobs of it, blooming and wobbling right up into the lower midrange and beyond, bass that flapped its way right up into the treble and beyond into the subsonic, it was like having a couple of passive Argos subwoofers strung around my skull with duct tape. Not a bad headphone, it somehow still managed to have a midrange and treble and some detail in behind all of that boom. It's just utterly incompatible with the kind of sound I want. As close as any modern headphone I have heard comes to the 8-ohm paper cone "fart in a damp cardboard box" sound. I'm pretty sure that I winced. Maybe you could get away with that FR curve in a planar, but even then its doubtful.
I also wasn't hugely impressed with the SR-325i. However I only had a short time with it and the CD playing at that time was a jazz number with a vast amount of cymbal activity to it, it was like tuning in a television: SSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS. I never got around to trying them with something else and so I reserve judgement on them rather than passing it.
Which brings me onto a revelation I had.
One of many on which I will now at-length and with dull prose now articulate, and this one more of a firm confirmation of suspicion rather than a revelation. And that is that moving coil dynamic headphones, with a couple of notable exceptions, simply aren't for me.
I tried (not mine)
The HD600, HD650 and 2 recabled HD650s (Zu Mobius and Equinox IIRC)
The Darth Beyer DT770, the DT990 (with dodgy driver)
A K271 Studio, K701 and a recabled K701 (I forget the cable) and the K1000
An A700, L3000 and W5000
The King MDR R-10
An MS-1, SR-325i and RS-2
Headphones I didn't manage to get on my ears were the Modded SR-80 and HF-1, which I would have liked to hear, the vintage DT990, which I did want to hear a lot but forgot about and the HD595, which I refused openly to even put on out of general principle.
I listened to these in various orders out of the Heed Canamp, the Slee Solo, the X-Can 3, the Headamp GS-1, the DIY Millett Max and the Singlepower Extreme. Most of the time the source was the G08 (although my thoughts on that later). Also the Wharfedale/Wharfedale+Zaulou DAC, Squeezebox 3 and a CD player I forget the model of on a couple of times and combos.
Of these amps, the Singlepower was by orders of magnitude better than the others. Of the others I preferred the Heed Canamp by a small margin although it was difficult to rate it terribly well vs the X-Can 3 because of distance and time and different headphones used.
However, so much of this listening just left me cold. Its not that any of it was bad, there was some awesome music being played, and indeed, there were a few times where I just spaced out to the Steely Dan and went into eyes closed head-bobbing mode. However every experience had me wanting something more. I still like the HD650, but for the money, a planar headphone buys you so much more sound.
Case in point was the venerable antique Yamaha orthos belonging to MrJoshuas mother. They were the HP-3 model IIRC, and aside from the colour (black instead of brown) looked identical to the pair of YP-50A I used to have. They also sounded very similar, although the pads were knackered. Those orthos though I would pick with about 2 seconds thought over
almost all of the moving coil/amp combos I heard. I guess that the Stax Mafia brainwashing has me completely hooked now.
The exceptions were these (In order of precedence)
K1000 (With the ARIA EL84)
R-10 (main listening done on the X-Can 3)
RS-2 with the Singlepower Extreme
L3000 with Singlepower Extreme
Jecklin Float 2 with Singlepower Extreme
To move backwards up that list in my comments, somewhat like a chart countdown:
The Jecklin Float 2 is not as good a headphone as many of the others there. Its old, its dated, its not in excellent mechanical condition and its uglier than all holy sin. However, it by some flabbergasting quirk of fate just gets on so well with my ears. It is this inexplicable phenomenon which has lead me to keep it around while so many other more accomplished headphones have been and gone from my sweaty paws. The Singlepower Extreme had it going as best as I've heard since the Ergo Amp 1, and better than that.
I do not thank that anyone else was particularly enamoured with them at all. Good, it might help to stop the eBay prices for them from rising the stupid and ridiculous levels that they have reached over the last couple of years.
The L3000 started off very disappointingly for me. The first thing I had them plugged into was the Slee Solo, they sounded nice, better than the Senns and AKGs certainly but where was this fabulous sound that other report? Well the Solo wasn't a mighty amp sure, but could that be the issue? Swapping it over to the Heed Canamp right next door and there's a bit more low end there, "Oh!", think I, "I think this thing wants some nuclear power."
Plugged into the Singlepower Extreme and
KABOOM!... err, nothing much more. But about 30-60 seconds afterwards.... then, then my brain re-tuned and I realised what was going on.
Oh it was so very sweet and so very very rich and so very very Hugh Heffner expensive thick carpets of very fine fabric and tailor made dressing gowns and really ridiculous aftershave. This may be the gentleman's headphone, the headphone for the man who in the evening, likes to sit down in his wing chair by the roaring log fire with a large glass of single malt and a copy of "Tweed Jackets Monthly" magazine. Really, I would have loved say, 2 or 3 days with these a real extended audition with music all of my choosing and at my leisure.
I sniffed potential in them, "I could learn to love these." I thought, then I remembered the price they go for in today's market, and my enthusiasm was damped, as I say, I'd want more time with them, but for that sort of money I think I'd pick something else. Maybe get my bedroom redone in that carpet I mentioned.
On The RS-2:
I used to have an HF-1. It left me cold. It was until yesterday my only Grado experience and I was happy to simply leave Gradoland behind at that, ears not going for the sound old boy lets have some more of those helmet things eh?
However Progenitor (who was probably the most like a small child running around the house on Christmas day than any of us) had a set laying on his table. I'd spent a short while with the HD650s at that time, looked down at them and basically thought "Well why not?" So down went the gain swtich on the GS-1 and in went the RS-2 with flat pads.
Well lets start by saying they were comfy. No vice on the ears or sandpaper on the skin. Lightweight and comfortable.
They also sounded pretty nice, dare I say, they were better than the Sennheisers? yes, I do dare, because they were. They had a lesser degree of the richness that the L3000 would give me later and a more prominent high midrange lending a degree of bite to the sound which was I am sure the sound which so many describe as the "fun" part of the Grado signature. Plugging the RS-2 into the Singlepower Extreme (Well, I didn't do it, Progenitor did and not long after these was this call from over the room "Doug! Doug! Come listen to this!") Listen I did and pleased I was, a lot more energy to the sound, better and further extension in the bass and a better sense of resonance in the midrange. I was very very surprised by how much I liked them and they rate over the L3000 because of only one reason in practical terms.
They are cheaper!
Still, one of the best moving coil headphone I have heard behind...
The Sony MDR R-10 was interesting, and I do not use that word as a diplomatic term to try and brush over poor features as being somethign else I use it because it was really a very careful listening session I had with it. Aside from the Omega 2 (during source comparisons) I think I spent more time with it than any other headphone. Most people had gone off to stuff their faces full of Manchester's finest cuisine at lunchtime. I however had the fortuitousness of my hotel room being filled with home-made scoff and so I was fed and watered in a fraction of the time
.
I listened to a variety of my own music with them, Jean Michel Jarres Teo & Tea, Hank Shizzoes Low Budget (Any Head-Fier
owes it to themselves to have a copy of that CD, Peter Cincottis On The Moon and Crash Test Dummies Songs Of The Unforgiven. My main listening with the R10 was with the X-Can 3, the Singlepower was in popular use and I didn't want to hog it up for the time I wanted to spend with one of the few headphones that I still have a great deal of curiosity about.
I liked them, a lot. This pair was not in a fabulous state of repair (if I owned an R-10 and one of the pads was falling off id be biting my fingernails down to the cuticle about it but Fing's attitude was on the lines of "This is my beat around pair."
The sound was fast, very very fast, detailed, with massive micro detail and separation capacity, loads of treble energy without a sense of aggression to it, a less coloured midrange than the L3000, no wobble in the low mids or high bass and a tight fast and punchy low end to them with both extreme electronic beats and also with the church organ resonance.
Hang on just a second, that means I like the R10 because...
... It sounds like an electrostatic. The R10 had not one single one of the things that make me shun coils for planars, music -> ears, no intermittent crate shipping through the cotton fields of coil land.
They cost an arm and a leg, or depending on how your health is, a kidney, but they do sound fantastic, and I can understand why there are a few head-fiers out there (like Fing or Hirsch) who have more than one. One with the lower bass like this one (I didn't find the bass quantity lacking however with a sound that good, more bass would simply have been different, not better or worse) plus another of the higher bass sets and you're laughing.
Your bank manager might be crying, but you'll be laughing.
the K1000 is with the R10 the case for why the best dynamics are regarded as the best, its because they pick up, or emulate or strive for or whatever terminology you wish to use, traits from the planar headphones and the K1000 does it with aplomb. I was the first person to put them on after they were plugged in (just making sure my amp didn't make them explode or anything of course
) and it took me about, oh must have been as long as 7, maybe 8 seconds before I took them off again and went into full flabbergasted mode.
My eyes shone like the glazed windows looking down into the halogen bulb factory, my jaw hung, limp and agape from the rest of my skull, my legs freed for the first time in decades of any kind of input from my brain decided that they both wanted to see the world, but wanted to see different bits and so didn't get very far. My arms, once the K1000 was placed, trembling, back onto the table began to wave like someone had stuffed hot coals into my shirt and acid in my hair. I was Jeremy Clarkson in full flowing praise, I was Martin Luthor King, I was Ghandi, I was Jesus. No earthly power could possibly stop me from gabbling incoherently about how fabulous that short exposure had been. And that was only Dido for the love of God. If it'd been Donald Fagen I might have passed out.
That was the greatest singular moment of headphone listening I have had since I first got my Stax 2020 system. Not since then have I been so immediately and completely floored by a sonic presentation and, unless there is a legandary headphone out there (HE90, SR-Omega, Qualia 010 or Sigma perhaps) which offers me the same epiphany, I shall never have one again.
I actually spent some time with the K1000 a little later, once my blood pressure had regulated itself back to what with my Scottish diet passes for a normal and healthy level. I compared it a bit with the Ergo AMT out of the ARIA and it came out on top in that shoot-out but with strings attached to its victory, principle of these being 1) that I was filled to the brim with revelation and excitement about it, and 2) it loved that ARIA amp, and the AMT does not.
The K1000 also sounded superb out of the QUAD 34/405-2 rig with the vinyl. I listened to Jean-Michel Jarre's Zoolook (another album any head-fier owes it to themselves to have) and enjoyed it very much.
I was disappointed with the K1000 also. I frankly expected more from the toed-out position. The degree of replication of a speaker rig I had hoped for simply wasn't there. It was closer than most headphones but compared to sitting in the armchair in front of my Quad 21L, sorry, no dice, fabulous imaging yes, but the increase in the bass leanness and the difficulty I had with channel balance (particularly if the drivers were set to anything other than all in or all out) cut the edge off the experience for me a lot.
Meet conditions not ideal, as is the case with any setup, but the K1000 is in my future at some point. If the R10 were the same price as the K1000, then that'd be a different matter of course.
K1000 money buys a lot though. And I think that great though it is, it would in my rig still play a trusted lieutenants position to the Omega 2, alongside the AMT.
Thats enough typing for the minute. I'll make my points regarding sources next.