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I see. You didn't comment on my tech posts about tube selection, but I assume you read them and understood them. Feel free to ask any questions or clarifications I'm happy to elaborate.
Are you not worried about having significantly higher distortion with 6L6 tubes? This will as a matter of fact provide you with less transparency, less atmosphere and 3D imaging, less clarity and separation between voices etc etc. The amp will still be a GOOD AMP, but why not get it as even better?
You have a stash of 6L6 eqs, okay, but think about this: you can get a HUGE stash of EL81's or EL36 eqs very very cheap. Then you'd have a huge stash of those as well.
Or is it about the social aspect? You mention 'acclaim'.
Tubes are just components. They are inherently, well, nothing. They only become 'something' when put into a circuit.
What they become is as much (or sometimes more) contingent on what the circuit is, than what the tube is.
The whole is always the tube in a circuit, the tube in itself is not "good sounding". Now if you only use similar circuits, say the retro classic circuits, then yes, the circuits are similar enough to each other that the tube's "inherent properties" in themselves might stand out.
But understand that this circuit is fundamentally pretty much completely different than the retro circuits. So the 'acclaim' collected from those retro circuits doesn't carry over there, in terms of actual performance ability.
Not that acclaim has much to do with performance ability anyway.
I'm not trying to be provocative here, just to bring new perspectives to think. Ask yourself, what is the purpose of your hobby? There is no right answer here, only your own answer.
For me, it's transparent sound, for maximal realism and liveliness of sound, to enjoy music I like. Whatever components achieve this, I will use.
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