Quote:
Originally Posted by eeerie1 /img/forum/go_quote.gif
Really? Your avatar didn't give that away at all!
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hahaha very true, but it takes one to know one
I figured a good portion of people wouldn't recognize the avatar.
New thoughts on the album:
I've listened to the album several times now, and my impressions have changed quite a bit (still very positive). You can tell this album was recorded very quickly, it sounds less "perfect" than other SR albums- you hear Jonsi's voice cut out a few times, you hear fingers on guitar strings, all kinds of little things that I think add some life to the album. In the past, before I heard them live, I always thought
everything was done through a computer but with this album you hear the little imperfections and nuances that confirm this music is played by humans with instruments. I find that refreshing.
The one side-effect of the expedited process that I'm still on the fence about is the cohesiveness of the album. Most of their past work, () especially, has been one solid album with songs flowing from one to the next. Takk was maybe a bit more discrete, but persistent themes seemed to continue through the album. Med sud seems to start off cheerfully, then drift towards traditional SR, but the individual songs don't seem to blend together as completely as past albums. Is this good or bad? I don't know. I think the songs are individually stronger as they have to stand alone, but listening to the whole album doesn't have as much of a satisfying, epic feeling at the end. This is the (relatively) easy, accessible Sigur Ros album, and I think embracing it as that is necessary. In some ways I enjoy the shorter, more focused SR since I can now enjoy them in short durations (at work, walking, etc) instead of having to sit down for an hour to enjoy my favorite band
One major positive: At this pace, we won't have to wait 4-5 years for new albums!