Quote:
Originally Posted by jbw157 /img/forum/go_quote.gif
Back in the day I considered myself an audiophile with McIntosh amplification, big Klipsch speakers and 10 gage speaker cables. With marriage and age I have gotten away from all of that and have satisfied myself with a 5G Apple iPod and Shure E2C earbuds.
The question is this: Will I get better sound from my iPod (the audiophile coming out in me again) if I use a headphone amp? With that being said, it seems to me that if I plug an amp into the earphone plug that I won't improve the sound, I will only make it louder.
Can someone tell me how amps will improve the sound. For reference, I listen to mainly classic jazz with mp3s at a bitrate of 192 or better.
|
Honestly, you may not be able to tap much from an iPod storing 192 kbps data. This is easily your bottle neck in the whole sonic chain.
But the simple answer is: Yes, you can get great sound out from an iPod, but it will involve a little more than just an amp. You may need a closer look at the whole audio chain.
My suggestions: use lossless or at least 320kbps AAC. Then go for the iLink (
http://www.msbtech.com/products/iLink.php) or the iMod (by Red Wine Audio) path. I believe the iLink is the ultimate audiophile path for iPod users. Downstream of the iLink get a decent DAC - suggest Benchmark DAC1, Lavry DA10, or Stello DA100, or a modified Zhaolu D2x, then a good amp will deliver the sonic revelation.
As the line out of the iPod has a lower voltage (~ < 1.0V) than standard analogue out from other components (~2.0V) so amplication is a necessity if you want to use any headphones above 30ohms impedance. The power circuit and the battery inside the iPod will not be sufficient to produce enough current to feed most low impedance phones (except some IEMs).
When you speak of "improving the sound", there can be so many interpretations. Do you mean to extract the last drop of minute details through a highly detailed and resolving components ? or do you mean to add warmth and initimacy ? Do you want skewed sonic spectrum, or want to stretch the head-stage to something unrealistically wide ? Different people have their own taste of "improved sound", and that is why we have some many amp and headphone choices, plus interconnects.
Ultimately I think only you can tell if the sound is "good enough". I am a strong supporter of "exploration" different set up and combinations, and find this in itself a journey to understand music better. I don't really think there is a standard, one-step to gold solution.
Just my 2 cents.
F. Lo