My questions and findings after trying out 9 headphones in 2 hours, searching for the perfect monitoring headphones.
Dec 31, 2009 at 1:34 AM Thread Starter Post #1 of 12

Sake

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Hi Guys,

This is my first time posting here, so I hope my questions and comments are well received. I have read most all the information I could about headphones here on this forum, then went out to my local music store.

I have a gift certificate there and am limited to their selection. I basically do guitar rig recordings with drums tracked using a midi drumkit via Native Instruments' Battery and am looking for a good set of monitoring headphones so that my mixes don't sound ridiculous and so that I can accurately model different guitar sounds. I went to the store and the salesman asked me if I had time, to which I replied "Yes", and he pulled out a bunch of headphones that he had in my price range:

1) Audio Technica ATH-m40fs
2) Audio Technica ATH-m50
3) Sennheiser HD-280 Pro
4) Sennheiser HD-380 Pro
5) Sony MDR 7509HD
6) Sony MDR 7506
7) AKG K-271 MKII
8) AKG K-240 MKII
9) Sure SRH840

I sat down for about 2 hours listening to the 2 cds he provided (Massive Attack and some Funky Jazz offering; Duke Grant or something like that?)

Now, I'm no sound expert or engineer, but I plan on using these to learn to do mixes and to model guitar sounds in guitar rig using my Focusrite Saffire LE sound card on my macbook pro. I put down ideas in ableton live and hope to EQ/mix them to the best of my abilities. Getting proper monitors are unfortunately not an option in my apartment.

Consequently, I'm looking for headphones that most accurately represent sound rather than make things sound good. The salesaman talked alot about how some headphones (M50!) had more "hype" than others (k271 mkii). I concluded that "hype" was a bad thing (true/false?). I may be missing terminology here, but I will try to describe everything as accurately as I can.

After listening to certain parts of certain songs for a couple of hours, my conclusions were the following:

Sennheiser : I liked the 380s better, but I found snare hits terrifying on both of these, very pronounced and there seemed to be some sort of clipping that occured. Both sounded like they had nice/heavy bass, maybe even exagerated sometimes, but the mids seemed to get lost in them, not as bad as the ATH's though.

Audio Technica: The M50s sounded WAY too bass heavy for me, the mids were completely lost in the mix and the upper frequencies seemed less sharp as the senns. The m40fs sounded more balanced, but the mids seemed a bit lackluster, an overall good headphone for the price, but I want better. M50s are out of the question, which is weird because I heard alot of good things about these!

Sony MDRs: Both sounded nicest as far as sound was concerned. For some reason though, the sound seemed to change entirely. I don't know what Sony's doing here, but I can't even describe it... The other headphones seemed like they would vary emphasis of different frequencies, whereas these headphones seemed to change the sound profile, maybe even the timbre, all around the board really subtly. It sounded great, but scared the **** out of me as far as my goal to most accurately represent my mixes. No go.

AKGs: I fell in love with these. The basses were MUCH more toned down, not as heavy and thumpy, but they were easily distinguished and the sounds sounded rich, without necessarily giving that "poundy" or "thumpy" feeling. The mids were incredible and didn't get lost in the mix at all. The snare hits were clean, distinguishable and didn't scare me into blinking, even when I raised the volume. I actually thought the 240s were more comfortable than the 271s, but the sound (for some reason that I tried to describe but couldn't), seemed SLIGHTLY better on the 271s. I don't know why or how... maybe I just listened to too many and had to make a choice. I also found these to be the softest of all the headphones. (Highest impedance I presume?)

Shure: Now.. after falling in love with the AKGs, I plugged these in and immediately felt the bass was heavier. Expecting the mids to get lost in the mix, I almost put these away but all of a sudden, the guitars/mids seemed to layer on top of the thick bass and remain crystal clear, same for the upper end. I would guess that these are bass (perhaps "upper bass"? ) heavy, but it's almost a welcome addition given that the mids and highs come in so crystal clear. They're super comfortable and I love the way they sound, but I feel like they maybe be exagerating the bass a bit too much for my "monitor headphone" purposes.

IN CONCLUSION / MY DILEMMA

I have to pick between these and my choice seems clear : I'm going for either the AKGs or the Shure headphones. The salesman told me to go with the K-240 mkII's because they had the flattest profile and suited my needs most, but those Shure headphones sound SOOO good...

My questions are as follows:

* The Shure's were my favourite sounding, but the salesman told me that that's because they have a little bit of "hype" in the low end. True or false? Are my mixes going to end up too light on the bass because of these headphones's low-end heaviness? Everything else seems to come through clean and I love the way these sound, but I was advised to go with the ones that "most accurately represent the sounds recorded" and not with the one that "sounded the best to me", but what the hell do I know about what the sounds are supposed to be like "accurately"...

* The AKGs sound great, but the low-end seems alot softer, maybe even too soft. True or false? Everything else is crystal clear, but I REALLY can't tell the difference between the K-240 mkII and the K-271 mkII beyond a feeling in my intuition... The salesman told me that the 271s are closed whereas the 240s aren't, and therefore the 240s most accurately represent how monitors would sound in a room, but they'll let outside sound in and vice versa, which is why people will pay more for the 271s, but that doesn't necessarily make them better. True or false? Since I'm not worried about bleeding or a good seal on the headphones, would you recommend the 271s over the 240s?

* Finally: The AKGs seem like they're under-represented in the low end and the Shures seem like they're OVER represented in the low end. The mids and highs are nice on both (unless you guys tell me otherwise). Maybe also one's on target in the low end and I just don't know the difference. Do you have any feedback/commentary to offer on this topic?

Any help would be appreciated, and I'd love to answer any questions should I have missed out on any important details. I need your advice on which headphones to buy!
 
Dec 31, 2009 at 2:11 AM Post #2 of 12
For monitoring I'd highly recommend the AKG 240s's... they are very flat sounding with no coloring so what you hear is what you get. Great for mixing and mastering, not so much for outside of the studio. You can get them for ~$100 but the MKIIs, which I have not heard, might be just as good.
 
Dec 31, 2009 at 3:09 AM Post #3 of 12
Dec 31, 2009 at 3:26 AM Post #4 of 12
The thing that makes the M50 great is that the bass is only heavy when the song calls for it, and if you were listening to Massive Attack on them, that is DEFINITELY considered bass heavy music (some of the heaviest of all). I consider myself a bass head and with some songs I feel like "where's the bass"? So that itself makes it a great monitoring headphone. It isn't the most detailed headphone however, but I feel it matches (maybe even surpasses?) the detail of studio monitors. When I tested out some AKG's the bass always seemed to be on the light side, not capable of getting heavy when the song called for it. So it might make mixes bass heavy from over mixing...
 
Dec 31, 2009 at 3:53 AM Post #5 of 12
Listen to what the salesman told you - here's one time that a retailer is correct - go with the AKG's
 
Dec 31, 2009 at 4:01 AM Post #6 of 12
I agree, the guy from the store is correct.

However, if the Shure's bring that much more enjoyment I'd just go with those... But in that price category the K240's are the best monitor 'phones I've heard. (I've listened to all those on your list some time or another.)

If you can't let sound in/out as much for whatever reason, go with the K271's which are very similar.
 
Dec 31, 2009 at 5:07 AM Post #7 of 12
My opinion is a little at odds with what others have written. IMO, the k240S is not a very good monitor headphone. I have the k240DF along with the 240S and the later can't compare. It sounds veiled/muddy and overly warm compared to the very 'neutral' and transparent k240DF. The DF is no longer made unfortunately, but you can often find it, and also the 240M, on ebay. In fact the k240M can usually be found for well under $100 second hand. Those are the k240's that were the ubiquitous studio standard for so many years. They are 600ohm vs. 55ohms for the newer 240S. FWIR, the 240DF is supposed to be one of the most 'neutral'/flat studio headphones. The new 240's are a definite step down from those. I just listened to the same song with both and the 240S sounds like mud in comparison to the DF. The k271mkII got a very good review in the new EQ magazine article on mixing with headphones...also the m50, BTW. Maybe they would be a better option than the k240mkII. If you can get a hold of the new EQ mag you might find the article helpful.
 
Jan 1, 2010 at 12:25 AM Post #9 of 12
Quote:

Originally Posted by Sake /img/forum/go_quote.gif
Well, as much as it pains me to give up those Shure headphones, I think you guys are right and I'll stick to the 240s. Thanks for the feedback!


You mean 240MKll?
 
Jan 1, 2010 at 1:00 AM Post #10 of 12
another supporter for the AKG's, If you have no distractions around go 240mk2, but for some reason I always preferred the 271mk2's...
 

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