pow3rtr1p
100+ Head-Fier
- Joined
- Aug 16, 2007
- Posts
- 327
- Likes
- 11
For the record, here is my set-up:
Rhythmbox-Ripped .flac files
Aqualung Media Player with no Add-Ons
Linux ALSA Output to Realtek Optical Output
Zero DAC with Included Cables
Audiotechnica A900 and Grado SR-225
I will pretty much just write what comes to mind as I listen. First, the A900s:
NoFx - The Decline
- On First Impression, this DAC balances out the A900s big time
- Glassy high end, but never harsh
- Leaner Bass than I'm used to with the A900s, which is not a bad thing
- I can hear every "grain" of distortion in the bass
- Cymbal Decay sounds great
- Decent soundstage, but nothing spectacular
- Little vinyl-esque pops make me think I may need to re-rip with EAC... sadly
- Vocals are fairly natural
- Balance may lean a bit to the high end, but it may just be this track
- Trombone sounds a bit odd. Not positive what it is, exactly.
Flobots - Handlebars
- Intro Violin Sounds pretty natural
- Bass is very present, and beautifully balanced, and tight
- Very forward vocals
- Cymbals sound good, and better balanced
- I hear guitar effects I haven't heard before
- Snare sounds great. Good ring to it.
- Trumpet sounds more natural than the trombone did. Maybe mastering.
- Violin throughout I haven't noticed before now.
- Double bass is tight, but still has power.
Coheed and Cambria - In Keeping Secrets of Silent Earth: 3
- Nice sense of space with the intro guitar
- Vocals are well balanced, and natural sounding
- Can once again hear each "grain" of distortion in the bass
- Drums are perhaps a bit out of balance with the cymbals. Could use more drums overall.
- Apparently, the drummer had left-foot hi-hat chick going pretty consistently throughout the entire song I had never heard before.
- I hear more nuances in the snare drum than previously.
- More distinction between picked notes and hammer-on / pull-off notes than previously.
- With no cymbal involvement, the drums sound better, and more balanced. Maybe the cymbals / high end are a bit much.
- Good sense of dynamics in the build up to the end.
- The kick drum sometimes distorts. I think this may be a mastering issue, as I have heard it with other set-ups, with all variables changed.
- "Woahs" at the end sound appropriately distant and haunting.
Animal Collective - Fireworks
- The Phasing Effect if the intro is minimalized
- Very good balance
- Most natural vocals yet, oddly enough
- Electronic Effects Sound Very Cool
- Background Sounds and Instruments are subdued, but still clear, and present, though in their place
- Cymbals still seem a bit over the mix, but not as much as other tracks
- Most pleasant listen to this track I've had so far, though that may be the alcohol as much as it is the DAC.
Gustav Holst - Mars: The Bringer of War
- Very clear rhythms at the beginning
- Wonderful dynamics from ppp intro to fff ending
- Real sense of power, without loudness
- Some odd sort of phasing in the channel switching for whatever reason
- Brass sounds a bit unnatural at times
- Strings are well defined, and accurate
- VERY lean bass, but that is probably more due to instrumentation than the DAC
- Strong percussion, and excellent balance throughout
- Woodwinds add texture, without ever being the focal point, oddly enough
- Ending is very powerful, with wonderful decay that sounds natural and full
Lamb of God - Ashes of the Wake
- Cymbals are pronounced, and well balanaced this time around
- Tight, powerful bass for a change
- Great snare crack
- Sweet guitar sound
- Vocals sound over-produced. For the first time they sound like miced vocals
- Great rhythmic accuracy
- Good sound stage
- Some pops, but that may be the rip
- Drums are well balanced
God is An Astronaut - Tempus Horizon
- Amazingly spacious sound to start off
- Beautifully balanced, airy beginning
- Explodes gloriously into first chorus
- Open Hi Hat seems to jump out from the mix a bit, but the rest of the cymbals are better balanced
- Guitars and strings sound great
- Closed Hi Hat sound tight and precise
- Great bass balance, perhaps the best balanced track yet
- Drums sound amazing overall
- Nice, warm guitar sound, especially for a DAC
- Rhythm of all parts more prominent than before
Refused - The Deadly Rhythm
- Intro doesn't sound quite vintagey enough for me, if that makes sense
- I hear more nuances in the rhythm than previously
- Seemingly longer cymbal decay
- Very cymbal-heavy sound
- Fairly natural vocals
- Toms get lost in the mix, while kick and snare are fine
- Wow, didn't know there was reverb on that talking portion in the middle
- Lots of bass, in comparison to other songs
- Sounds very sloppy, and garagey, in an on-purpose sort of way
The Mars Volta - Televators
- Birds sound pretty natural
- Electronic noise has good soundscape
- Guitar sounds very natural
- Vocals are alright, but nothing special
- The layered guitars keep sounding better
- Chorus gets much, much louder, but that's probably the mastering
- Chorus vocals are better
- Feedback and tremolo sound appropriately insistent
- Louder vocals sound better in general o this track. The louder the better
- Percussion sounds well-balanced
- Layered vocals compliment each other well
- Final chorus is a bit much for my likings.
Well, this concludes the A900 section. I will update with my Grado impressions later.
Rhythmbox-Ripped .flac files
Aqualung Media Player with no Add-Ons
Linux ALSA Output to Realtek Optical Output
Zero DAC with Included Cables
Audiotechnica A900 and Grado SR-225
I will pretty much just write what comes to mind as I listen. First, the A900s:
NoFx - The Decline
- On First Impression, this DAC balances out the A900s big time
- Glassy high end, but never harsh
- Leaner Bass than I'm used to with the A900s, which is not a bad thing
- I can hear every "grain" of distortion in the bass
- Cymbal Decay sounds great
- Decent soundstage, but nothing spectacular
- Little vinyl-esque pops make me think I may need to re-rip with EAC... sadly
- Vocals are fairly natural
- Balance may lean a bit to the high end, but it may just be this track
- Trombone sounds a bit odd. Not positive what it is, exactly.
Flobots - Handlebars
- Intro Violin Sounds pretty natural
- Bass is very present, and beautifully balanced, and tight
- Very forward vocals
- Cymbals sound good, and better balanced
- I hear guitar effects I haven't heard before
- Snare sounds great. Good ring to it.
- Trumpet sounds more natural than the trombone did. Maybe mastering.
- Violin throughout I haven't noticed before now.
- Double bass is tight, but still has power.
Coheed and Cambria - In Keeping Secrets of Silent Earth: 3
- Nice sense of space with the intro guitar
- Vocals are well balanced, and natural sounding
- Can once again hear each "grain" of distortion in the bass
- Drums are perhaps a bit out of balance with the cymbals. Could use more drums overall.
- Apparently, the drummer had left-foot hi-hat chick going pretty consistently throughout the entire song I had never heard before.
- I hear more nuances in the snare drum than previously.
- More distinction between picked notes and hammer-on / pull-off notes than previously.
- With no cymbal involvement, the drums sound better, and more balanced. Maybe the cymbals / high end are a bit much.
- Good sense of dynamics in the build up to the end.
- The kick drum sometimes distorts. I think this may be a mastering issue, as I have heard it with other set-ups, with all variables changed.
- "Woahs" at the end sound appropriately distant and haunting.
Animal Collective - Fireworks
- The Phasing Effect if the intro is minimalized
- Very good balance
- Most natural vocals yet, oddly enough
- Electronic Effects Sound Very Cool
- Background Sounds and Instruments are subdued, but still clear, and present, though in their place
- Cymbals still seem a bit over the mix, but not as much as other tracks
- Most pleasant listen to this track I've had so far, though that may be the alcohol as much as it is the DAC.

Gustav Holst - Mars: The Bringer of War
- Very clear rhythms at the beginning
- Wonderful dynamics from ppp intro to fff ending
- Real sense of power, without loudness
- Some odd sort of phasing in the channel switching for whatever reason
- Brass sounds a bit unnatural at times
- Strings are well defined, and accurate
- VERY lean bass, but that is probably more due to instrumentation than the DAC
- Strong percussion, and excellent balance throughout
- Woodwinds add texture, without ever being the focal point, oddly enough
- Ending is very powerful, with wonderful decay that sounds natural and full
Lamb of God - Ashes of the Wake
- Cymbals are pronounced, and well balanaced this time around
- Tight, powerful bass for a change
- Great snare crack
- Sweet guitar sound
- Vocals sound over-produced. For the first time they sound like miced vocals
- Great rhythmic accuracy
- Good sound stage
- Some pops, but that may be the rip
- Drums are well balanced
God is An Astronaut - Tempus Horizon
- Amazingly spacious sound to start off
- Beautifully balanced, airy beginning
- Explodes gloriously into first chorus
- Open Hi Hat seems to jump out from the mix a bit, but the rest of the cymbals are better balanced
- Guitars and strings sound great
- Closed Hi Hat sound tight and precise
- Great bass balance, perhaps the best balanced track yet
- Drums sound amazing overall
- Nice, warm guitar sound, especially for a DAC
- Rhythm of all parts more prominent than before
Refused - The Deadly Rhythm
- Intro doesn't sound quite vintagey enough for me, if that makes sense
- I hear more nuances in the rhythm than previously
- Seemingly longer cymbal decay
- Very cymbal-heavy sound
- Fairly natural vocals
- Toms get lost in the mix, while kick and snare are fine
- Wow, didn't know there was reverb on that talking portion in the middle
- Lots of bass, in comparison to other songs
- Sounds very sloppy, and garagey, in an on-purpose sort of way
The Mars Volta - Televators
- Birds sound pretty natural
- Electronic noise has good soundscape
- Guitar sounds very natural
- Vocals are alright, but nothing special
- The layered guitars keep sounding better
- Chorus gets much, much louder, but that's probably the mastering
- Chorus vocals are better
- Feedback and tremolo sound appropriately insistent
- Louder vocals sound better in general o this track. The louder the better
- Percussion sounds well-balanced
- Layered vocals compliment each other well
- Final chorus is a bit much for my likings.
Well, this concludes the A900 section. I will update with my Grado impressions later.