jasonb
Headphoneus Supremus
- Joined
- Sep 14, 2010
- Posts
- 5,564
- Likes
- 2,860
Switch from Spotify to MOG. I've always had great luck with MOG.
To who's standards? 320 is a lossy compression. Lossy compression reduces a file by permanently eliminating information. although the average person may not notice it, only a part of the original information is there.
With lossless files, every single bit of data is there. This is high fidelity as I understand it.
I think I helped point us to a treacherous off topic rant again. Let's take this one to sound science, where it has no doubt already been beaten to a bloody pulp. Let's keep this the Alpha Dog thread. Thank you!
If you opened a "high res" FLAC file in a hex editor, you'll be surprised to see just how many empty bits are present. This is the source of the "headroom" that is so often talked about. There is zero auditiory benefit from the extra 300 megabytes or whatever from the file. I'd be willing to bet my entire audio gear collection on people not being able to differentiate between a FLAC file, and a 320kbps file generated from the lossless. The converters work by eliminating these empty bits, so no "information" is actually lost.
This, though not directly related to MP3 vs lossless, should expand on the topic.
24bit vs 16bit, the myth exploded!
I think aamefford has made the point of carrying this conversation elsewhere. Let's get back to the AD topic.
I also disagree with the AD being better than the HD600. I view the AD as very similar to the Etymotic in FR, but with bottomless extension and less impact. It's not any more detailed than the HD600, rather its FR places emphasis on an area that is harmonics-rich (the diffuse field response). This pushes things more in your face, giving the illusion of more detail. A quick A/B with a phone that is not so lifted in that region will still reveal all those details. The elevation in that region of the FR is also partially responsible for the AD's lack of dimensionality/black space, where cues don't materialize effortlessly in the sound field. I say it's a good mastering tool to detect artifacts in the recording, but not a pleasurable listening tool for me without EQ or a warmer tube amp.
Academically, I agree. Practically, I haven't been able to hear a difference between 320 and lossless, so in my case, I've come to the conclusion that 320 files are essentially high fidelity for me. Oh, and pardons for jumping in...
Oh please lets!
On that point has anyone had any experience with the AD's vs the new NAD's? Tyll seems to think the NAD's are the bestust closedest phones ever created by mankind. I have my suspicions and would be eager to see a shootout between the two.
Oh please lets!
On that point has anyone had any experience with the AD's vs the new NAD's? Tyll seems to think the NAD's are the bestust closedest phones ever created by mankind. I have my suspicions and would be eager to see a shootout between the two.
That deep red silk cable on the attached Alpha Dog phones photo looks beautiful, fit together perfectly...
Might be something Dan would want to consider selling in the future, as an upgrade option over the standard cable that goes with the headphones!
While it's very nice, I don't think it follows Dan's philosophy.
Dan's all about high end performance without the high end price. I don't think a $300 cable is going to qualify.
Make every day a fun day filled with music and friendship!
Stay updated on Dan Clark Audio at their sponsor profile on Head-Fi.
|
We wouldn't offer a cable like that because it puts the phones out of reach of many people, but that some find it worth investing is pretty cool.... It's certainly beautiful!