fordgtlover
Headphoneus Supremus
I finshed my Millet Max on the weekend and I thought I would post my initial listening impressions and also seek impressions from others.
My build is the mosfet version using mostly standard parts with a few 'boutique' components, namely Elna Silmic caps at CA2/7. I have the voltage set at 27V, and I am using GE 12FM6 tubes with the mosfets biased to 200mV, and standard WIMA MKP capacitors at CA8/9.
Comments are based on my listening experience with my K701 and about 15 hours on the amp.
I don't have much experience with tube amps. My point of reference for these listening impressions is my M³.
It's a very musical amp that allows considerable enjoyment of a broad range of music from vocal, through blues, and hard rock.
This amp absolutely excels at rock music with distorted guitars - huge, fat chunking guitar sound. It is smooth with male vocals but there is some graininess in some female vocals (Alison Krauss). The bottom end is weighty and solid, but not boomy in any way. The upper mids and highs are mostly clean and pleasant (some graininess).
It is worth noting that this amp can be quite sensitive to the quality of the source. On well recorded albums it is very pleasant, but poor quality source (bad recordings or poor files) it may well expose more flaws than other amps.
These are my initial impressions. I will update this view when I have a few more hours on it and the parts have settled in a little more.
cheers
My build is the mosfet version using mostly standard parts with a few 'boutique' components, namely Elna Silmic caps at CA2/7. I have the voltage set at 27V, and I am using GE 12FM6 tubes with the mosfets biased to 200mV, and standard WIMA MKP capacitors at CA8/9.
Comments are based on my listening experience with my K701 and about 15 hours on the amp.
I don't have much experience with tube amps. My point of reference for these listening impressions is my M³.
It's a very musical amp that allows considerable enjoyment of a broad range of music from vocal, through blues, and hard rock.
This amp absolutely excels at rock music with distorted guitars - huge, fat chunking guitar sound. It is smooth with male vocals but there is some graininess in some female vocals (Alison Krauss). The bottom end is weighty and solid, but not boomy in any way. The upper mids and highs are mostly clean and pleasant (some graininess).
It is worth noting that this amp can be quite sensitive to the quality of the source. On well recorded albums it is very pleasant, but poor quality source (bad recordings or poor files) it may well expose more flaws than other amps.
These are my initial impressions. I will update this view when I have a few more hours on it and the parts have settled in a little more.





cheers