roy_jones
500+ Head-Fier
- Joined
- May 29, 2005
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I've read that the Shure E5's are slightly less comfortable than the UM2's due to the angle at which they're inserted...but am looking for a more detailed comparison regarding the issue of comfort and microphonics. For someone looking to use one of these choices for jogging and working out, which is the better choice?
I've read some contradictory things about the memory wire- is it a hindrance, or is it a positive feature? How much of a comfort issue does the E5 raise, with it's different angle of insertion? I assume that the isolation is comparable for both- but will both remain stable while running?
Are the questions about the durability of the UM2's nozzle legitimate? Without the added warranty that the Shure's come with, couple with the fact that I'm going to be buying used, as well the type of use they'll be seeing- should I cross the UM2 off the list?
I believe that the cord on the UM2's are less microphonic, but am assuming they're both relatively acceptable on that level? Does the external cross over of the E5 enhance or detract from the design?
I guess it's hard not to address any sound quality issues between the two. I'm interested in the sonic signature of the UM2, based on second-hand reports...because of the more neutral character and the fact that it seems that it has better treble. I listen to a lot of rock, and prog rock, if you could call it that- Tool, NIN, Radiohead, The Tea Party, Rage, etc...but I also listen to a lot of Trip Hop- like Massive Attack, Tricky, Portishead, etc...I listen to occasional Hip Hop (not much)- Mos Def, Dead Prez, non commercial stuff usually.
I'm concerned about the E5's because of the supposed rolled off treble- but question whether there can truly be as dramatic a difference in the sound between the two as is often made out- due to the similarities of the design. I wonder whether the E5 would be better suited to rock, with the pronounced mid-range, as that makes up about 60-70% of my listening.
I've heard a fair bit about why the UM2 would be considered a better sounding canalphone- but what arguments would be made for the E5? You would think there would be a lot of concrete analysis on this in the archives...but surprisingly there isn't a lot of direct, detailed sound comparisons.
I've read some contradictory things about the memory wire- is it a hindrance, or is it a positive feature? How much of a comfort issue does the E5 raise, with it's different angle of insertion? I assume that the isolation is comparable for both- but will both remain stable while running?
Are the questions about the durability of the UM2's nozzle legitimate? Without the added warranty that the Shure's come with, couple with the fact that I'm going to be buying used, as well the type of use they'll be seeing- should I cross the UM2 off the list?
I believe that the cord on the UM2's are less microphonic, but am assuming they're both relatively acceptable on that level? Does the external cross over of the E5 enhance or detract from the design?
I guess it's hard not to address any sound quality issues between the two. I'm interested in the sonic signature of the UM2, based on second-hand reports...because of the more neutral character and the fact that it seems that it has better treble. I listen to a lot of rock, and prog rock, if you could call it that- Tool, NIN, Radiohead, The Tea Party, Rage, etc...but I also listen to a lot of Trip Hop- like Massive Attack, Tricky, Portishead, etc...I listen to occasional Hip Hop (not much)- Mos Def, Dead Prez, non commercial stuff usually.
I'm concerned about the E5's because of the supposed rolled off treble- but question whether there can truly be as dramatic a difference in the sound between the two as is often made out- due to the similarities of the design. I wonder whether the E5 would be better suited to rock, with the pronounced mid-range, as that makes up about 60-70% of my listening.
I've heard a fair bit about why the UM2 would be considered a better sounding canalphone- but what arguments would be made for the E5? You would think there would be a lot of concrete analysis on this in the archives...but surprisingly there isn't a lot of direct, detailed sound comparisons.