So... Balmung is out of the bag and Joe's given me the ok to post impressions. Had the uni for about a few days for pre-release photographing, of course, couldn't resist a listen too
I'm also very flattered some think the photos are renders! I've still got a long way to go and think that MMR designs really speak for themselves. Unfortunately, due to time constraints, I don't have much more to share here other than that showcased on MMR's own platforms. I will share one of my favourites from the shoot below, the faceplates are simply gorgeous:
Full post is here, not nearly as articulate as Dan's descriptions, but I'm hearing similar things. This is a very well-balanced sound with a powerful, warm and full-bodied voicing. While it is characterised by its exemplary coherence, imaging acuity and reinforced note structure, the Balmung simultaneously pumps out hugely impressive note texture alongside strong vocal definition and extension. It also has a sharp, snappy transient response, highly accurate localisation and excellent layering flattering both the note and the room and space surrounding.
Frequency Response measured to simulate deep-fit:
The beauty of the Balmung is that it's a pretty versatile recommendation. If you like an even, linear and balanced sound, the Balmung takes such a presentation and moves the dial one step further to the warm and engaging side; but it also doesn’t stray too far into it to alienate listeners who prefer such a balanced sound. Conversely, if you like an engaging sound, the Balmung will surely impress with its gutsy bass and immersive staging. Who this isn’t for is those wanting a perfect reference or revealing/bright signature as its presentation is so clearly on the coherent and structured side. Happy listening folks!