Thanks a lot for the recs, guys. I really appreciate it. Keep them coming, please! And if you don't want to, don't limit yourself to Mingus or Evans.
I've been playing piano since I was a wee lad of 5 so I do appreciate good piano work. My old man is no audiophile but he is very picky when it comes to performances (he only listens to classical, though) so I've learned to appreciate a particular pianist's style.
Listening to Monk's music inspired me to try my hand at jazz piano. I found the pedagogical style of jazz to be too loose and relaxed compared to classical piano (and I'd been studying for 8 years with a Russian piano professor at that point). I haven't heard a pianist whose playing style I find fresher, more fun, or more alive than Monk's. The thing is, though, I never get tired of that one two-disc set -- I listen to it constantly and never feel the need for more Monk. With the other artists, I feel that something is still missing and that I'm still missing "the good stuff."
I'll try out
Blue Train to give Coltrane another chance. The problem with
A Love Supreme was that I could feel right away that it was music
meant to be something to "get" rather than to "feel." I heard on the radio once that Bill Evans said, "It bugs me when people try to analyze jazz as an intellectual theorem. It's not. It's feeling." I agree with him to an extent, though with
Love Supreme it seemed like it was making sure people would find it heady stuff. I think Monk got a lot of the intellectual feel down -- that is, the music almost feels "witty" and smart -- but still kept the music real and for its own sake.
Quote:
Braver writes:
dude (can I call you dude? ) |
I'm a sloppy disheveled guy with too much hair and who enjoys drinking white Russians. So yes, that would be appropriate.
Thanks again for the recommendations everyone! Just to make this an even cooler thread, if you want to recommend some great venues in the Boston area, that would be great. I'm afraid Boston just doesn't have the best music scene for jazz, but I'll be happy to be proven wrong.