I disagree that it's a simple burn-in with the ED9s. You just have to get used to the anemic hollow sound and the shrill trwble
Sounds like something really fun to be getting used to
I disagree that it's a simple burn-in with the ED9s. You just have to get used to the anemic hollow sound and the shrill trwble
I disagree that it's a simple burn-in with the ED9s. You just have to get used to the anemic hollow sound and the shrill trwble
Has anyone summarized this whole thread yet ? The information is all over the place. It's difficult to go through everything. Please share review comparison of all KZ's if available. Thanks.
Get over it man, she's moved on with her life you need to do the same. :tongue_smile:
I disagree that it's a simple burn-in with the ED9s. You just have to get used to the anemic hollow sound and the shrill trwble
who ya talking to yes sir?
kokakolia - just teasing him as he's really got it in for the ED9
I know just joshing with ya.
I thought joshing was a UK term, so I was surprised that you used it. Google'd it and it turns out it's not UK in origin, it's an Americanism. :eek: Every day's a school day.
/
Why is that a difficult proposition?
1. Everyone's tastes are different. They may listen exclusively to classical music, and you like dubstep (which are greatly affected by an IEMs tuning profile). Without example music tracks being listed, how do you know you are going to like your dubstep on their recommended IEM?
2. KZ constantly revises their products without creating a new model designation. 4 different revisions to the ATE, 2 different revisions on the ZST, 2 revisions on the ZS1, etc. So if someone says "I like the ATE" - which ATE did the person have? I say "The ZS1 is recommended for bassheads", but someone else says "No, the ZS1 is not particular bass-heavy". Well, how is anyone going to know that my ZS1 is the original version with the brass ring vs the other person's later ZS1 without the ring? BOTH of us could ave valid opinions, but without those specific details you need to take both of our opinions for a grain of salt.
3. Many people swap tips or mod their IEMs, both of which change the sound. And KZ even includes ways to change the sound, like including foam AND silicone tips with an IEM, offering factory replacement silver plated cables, or the tuning nozzles included with the ED9. So if someone says "The ED9 has lots of bass", but they don't say which nozzles they used, it can cause confusion. Same with the ZST - which cables did they use? How many hours are on the IEM - if it's OOB (out of box) or has 500 hours of play time (or dedicated burn-in), the sound will often be different.
4. Different people hear things differently. Some people are more sensitive to treble or sibilance than others (depending on age, personal tastes, music genre, etc). So if someone says "The ED9 is too bright", well it might be too bright for them but not for you. So you have to take that for a grain of salt too.
5. KZ often has hit or miss QC issues, many of affect the sound. BA drivers that aren't connected, crushed internal sound tubes, drivers wired out of phase, plugged up vent holes - stuff like that. Heck, look at how easily the cables on the ZST and ZS3 can be plugged in backwards without people ever even realizing - now they're out of phase and sound different than if they were plugged in correctly.
6. Many of the IEMs are source dependent, due to impedance rating and amplification. The ZST, for example, sounds quite different on certain models of cell phones vs a high quality DAP with headphone amp. Likewise, if someone says "the ATR has good micro details", it won't do you any good if they were they listening to FLAC or DSD files and you listen to 128kbps MP3 files.
7. Most people don't own all of the models, or are constantly ordering new models. For example, I don't yet have the ATR (on order), ED11, ED12, ATE rev 2, ZS1 rev 2, ED3 Acme, and a few others. So if I say "Here's now I would rate them from best to worst - blah blah", then my list shifts all around once I receive more models.
8. Any 'master summary' would just get buried when the page count increases by 300 pages from where it is currently.
IMO the BEST way to rate them is try them yourself. I mean, the average price is $4-$7. For a measly $20-$30 you can buy 5-6 pairs. Try them yourself and see which ones you prefer. Give the ones you don't like as gifts or keep them as backups. Keep a set at work or in your gym bag so you don't have to lug around your primary pair and risk damage. Use the pair best suited for classical to listen to classical and the pair best suited for rap to listen to rap. Use the pair that sounds best for gaming or watching movies for that purpose. Play around with them to learn how tip rolling or modding them affects the sound. See if burning them in (or brain burn-in) makes them sound any better. That's part of the fun of being a headphone enthusiast.
SO your top 5 KZ today?
from what im reading the foams are the only solution. I read it mostly happens with dynamic drivers, which has never happened to me. Maybe try double flange? Maybe you got a bad pair who knows. If not give the ZST a try it has both amature and dynamic drivers.
My ZS3 doesn't exhibit any driver flex whatsoever, neither do my other KZs. The vent on the ZS3 is located on the inner side in the middle depression of the housings. Perhaps something has clogged the holes, a drop of glue during manufacturing (which isn't unheard of)... try inserting a needle, gently and carefully, and maybe clean the vent holes that way (if they are clogged in the first place.)
Thanks for the feedback and yes I do have a zst and I like it's fit and the fact that it doesn't have driver flex but I like the zs3's sq more so yeah. I'll just have to make do with foam tips coz even double flange still has driver flex.
Thanks for the feedback and yes I do have a zst and I like it's fit and the fact that it doesn't have driver flex but I like the zs3's sq more so yeah. I'll just have to make do with foam tips coz even double flange still has driver flex.