adrift
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Yep. That's sort of the sense I got out of this film as well. Sort of a pieced together feel with the sum feeling less than the parts. I do disagree with Tarantino being a master at dialogue. Tarantino is known for his dialogue, but he's only occasionally a master at it I think. Too much of Tarantino the upper-middle-class white film geek in his dialogue. Its like the sort of dialogue that sounds genius on paper, but in real life is completely ridiculous (though highly quotable). Probably get you beat up a lot for being a smart ass. lol
Originally Posted by chadbang /img/forum/go_quote.gif My personal feeling was that it's good, but not great. I think Tarantino has ample skills to create a masterpiece, but he's so sold on paying homage to pulp cinema that it's dragging him down. Many scenes in the movie were absolutely masterful (I mean amazing work: meticulously acted and directed) but I thought the sum was less than its parts because of his insistence on glorifying pulp cinema. I'm sure his intent was to let the audience have fun with some camp, but why not try to create a really good film, rather than waste talent in the pursuit of mimicking a lesser one? As a written work, one of my main gripes was the Inglourious Basterds concept. This was supposed to be his "Dirty Dozen" "The Great Escape" war film, but I really had no idea who any of the Basterds were. He set them up without any real personalities, (except Pitt) and their story is never developed. Think of all the characters in "The Great Escape" -- and there are plenty --- and you get to know each of their personalities and histories intimately. I barely knew anything about the basterds when this film was over. Did I get any sense of their exploits? Only in reference. I think what's weighing in against Tarantino is his loquacious style versus the traditional movie form of 2-3 hours. He's a master of dialogue, but when you've devoted 15 minutes to one scene, you've used up a good portion of your film. Consequently, as everyone has noted here, the film can be divided into a couple set pieces quite easily. There's no real sense of a journey or adventure, no unfolding of events. Most great films or novels are a picaresque - you finish them feeling like you've been on a journey. I felt Inglourious Basterds was just underdeveloped and a bit lazy in design, especially after an intricately structured film like Pulp Fiction. I think Tarantino needs to sit down and take a year or two to write another real screenplay. He should abandon his wacky plans like making Kung Fu tribute films in Mandarin and work his ass off on producing another masterpiece like Pulp Fiction. That's what made Kubrick so special, he wouldn't just hack away at any project. I think Tarantino is just as talented -- maybe even more so -- but he needs to think about his legacy and stop paying homage to genres not worthy of his talents. Anyway, that's my two sense worth. |
Yep. That's sort of the sense I got out of this film as well. Sort of a pieced together feel with the sum feeling less than the parts. I do disagree with Tarantino being a master at dialogue. Tarantino is known for his dialogue, but he's only occasionally a master at it I think. Too much of Tarantino the upper-middle-class white film geek in his dialogue. Its like the sort of dialogue that sounds genius on paper, but in real life is completely ridiculous (though highly quotable). Probably get you beat up a lot for being a smart ass. lol