You just couldn't keep it to yourself, could you?
Can somebody provide some analysis of the Halcyon since the Opus Mia is pretty much the same driver setup?
Well friends, I sent mine back.
I didn't respond to
@NellieG a few pages back when she wrote my description made them sound epic, because epic was starting to feel like the opposite of how I‘d define them. And as it turns out I do find the Halcyon damn
reserved.
Epic they may be on vocals. In songs I know well and where I always struggled to understand every word, it’s like someone suddenly handed me the lyrics sheet! And emotion is conveyed exceptionally on vocal-centric music.
But I find the bass a bit smothering, and I don’t enjoy its quality, it’s much less physical than on the Aten, or the R1. Huge but not as satisfying. An overbearing presence on black filters, and too much down to red; a tad clingy still on purple, although that was my personal sweet spot. Not enough sub response below that.
The Rah turned the bass down a bit in quantity and slam, but gave you incredible tonality in return. They sounded so right I have never really heard anything that competes. I’ve heard 6-figure set-ups with big amps and cans that sounded very good, but not that
right. The Rah reveal the timbre of strings, voices, percussion, with a natural delivery like you‘re standing next to the musician. Real fidelity, and heightened involvement thanks to it. I’m really sad I had to send them back but the leakage meant I would have enjoyed all that goodness for about 10 minutes per week...
On the Halcyon the black upper were my favorite, I found the red and purple spiky, even a touch sibilant, the green quite unnatural and the blue almost as good but less even. But all in all these just don’t
get my music. Emphases are in the wrong place.
It’s always a build-up but there’s often one song that is the last straw on iems I decide not to keep for audio reasons. For the Zenith it was “Beat and the Pulse” by Austra. There’s a point when the singer pushes her voice to enjoin “feel it break” - it is, as I interpret it, quite harsh on purpose, after all you’re supposed to feel it break! But rare are the iems or hps that manage to present that climax with both the appropriate sharpness, and without full-on bludgeoning your ears.
For the Halcyon it was “Before You Snap“ by Yonderboi. The balance is wrong, there’s a tambourine the beat depends on that’s too far back, bass feels flubby, and the plodding rhythm that should be hypnotic becomes a dragging of feet. Unsalvageable on any filter combination.
The driver shows killer promise with its mids retrieval, I would have kept them if I listened more to classic rock, folk, male and female singers. It is great enough that I believe it will bring something special to the Semper, which I have totally ordered
As an aside Bob was as always a total class act throughout. When I told him I felt bad sending the Halcyon back he told me he’d rather I be happy. Later on I asked him to keep the refund money and invoice me for the difference with the Semper, but he forgot and refunded me the full amount instead - I hope anyone still under the delusion IMR is a cash-grab or what have you will take note...