terriblepaulz
1000+ Head-Fier
- Joined
- Dec 2, 2006
- Posts
- 1,227
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- 12
I started with Grado SR60s, which I got about 2 1/2 years ago. I decided to upgrade, and after a lot of research (thank you head-fi) decided to get the Beyer DT990s ('05 version). Late last week I got the precious package from B&H, and have put in about 20-25 hours of listening.
All I can say is WOW. First, they look slick as hell, although I thought the grill was going to be metallic (Headroom refers to them as "chrome louvered slats"), or at least less "plasticky", but that is a minor quibble.
As to the sound, the first thing I noticed is soundstage. I finally have a sense of what that term means. Instruments and sounds seem to have distinct spaces outside my head. When I listen to older jazz recordings where some of the instruments are hard L or R, the effect is almost disconcerting. I can now see the need for an amp with crossfeed (excellent - an excuse to upgrade
).
I have a hard time articulating how the sound is different from, or better than, the SR60s, but I feel like all my music now has greater "texture". And I am noticing greater detail than I did with the SR60s. I used to roll my eyes a little when I read here about cymbal decays, or hearing a pick slide on a string etc., but I now notice that kind of stuff on almost every song.
Finally, these cans are extremely comfortable. I have worn them for as long as 4 hours with no discomfort (and no fatigue from the sound either). I could never say that about the Grados. And lastly, I should add that the padded carrying case that came with them is a nice little bonus. Someone in another post stated that all high end cans should come with something similar. It's a minor thing, but if one is paying >$200 for headphones, it seems like the manufacturer should throw that in.
So this relative newb is quite pleased with his acquisition. I am looking forward to improved performance as I upgrade my source and amp.
All I can say is WOW. First, they look slick as hell, although I thought the grill was going to be metallic (Headroom refers to them as "chrome louvered slats"), or at least less "plasticky", but that is a minor quibble.
As to the sound, the first thing I noticed is soundstage. I finally have a sense of what that term means. Instruments and sounds seem to have distinct spaces outside my head. When I listen to older jazz recordings where some of the instruments are hard L or R, the effect is almost disconcerting. I can now see the need for an amp with crossfeed (excellent - an excuse to upgrade
I have a hard time articulating how the sound is different from, or better than, the SR60s, but I feel like all my music now has greater "texture". And I am noticing greater detail than I did with the SR60s. I used to roll my eyes a little when I read here about cymbal decays, or hearing a pick slide on a string etc., but I now notice that kind of stuff on almost every song.
Finally, these cans are extremely comfortable. I have worn them for as long as 4 hours with no discomfort (and no fatigue from the sound either). I could never say that about the Grados. And lastly, I should add that the padded carrying case that came with them is a nice little bonus. Someone in another post stated that all high end cans should come with something similar. It's a minor thing, but if one is paying >$200 for headphones, it seems like the manufacturer should throw that in.
So this relative newb is quite pleased with his acquisition. I am looking forward to improved performance as I upgrade my source and amp.