El Duderino
Head-Fier
- Joined
- Sep 17, 2005
- Posts
- 83
- Likes
- 13
I recently purchased the Kenwood HD30GB9 but have been a little too busy to post my impressions. A couple of head-fi members have published their reviews on this piece of kit and, before you read any further, let me say that I agree fully with their assessment. The HD30 sounds phenomenal in comparison to non-amp'd DAPs.
First, a little background. I have previously owned/used the IRiver H120 (Rockbox'd), Iaudio X5, Trekstor Vibez, Ipod 4G/5.5G, Zune and, most recently, the Toshiba Gigabeat S. The Kenwood is, I feel, a better sounding DAP than these alternatives. I have a fairly eclectic range of music and have put the HD30 through its paces with a variety of rock and hip-hop tracks. Critical listening with the following:
Pearl Jam - Ten/Rearview Mirror
Eric Clapton - Unplugged
Dire Straits - Brothers in Arms
Tool - Aenima/Lateralus/10,000 Days
Nirvana - Unplugged in New York
Jay-z/Linkin Park - Collision Course
MF Doom - Doomsday/MM...Food
Jay-Z - Unplugged
Deltron 3030 - Deltron 3030
Lupe Fiasco - Food & Liquor
A Tribe Called Quest - Anthology
John Legend - Get Lifted
All tracks are encoded at a minimum of 224 kbps VBR MP3 and most are lossless. All tracks were listened to through Shure E4 IEMs.
Bass - Previously I have found the bass on the Shure E4 to be accurate but somewhat thin sounding on hard-hitting hip-hop tracks although perfectly adequate for most rock. With a flat equalizer, the bass through the E4 gains considerably more weight...this is immediately noticeable and is really a night/day difference. I was not aware that the E4 could produce this much bass while maintaining a tightness to the overall sound. Equalizing the sound using the excellent parametric equalizer in the HD30GB9 to add a low frequency boost helps the sound with no hint of distortion or boominess. Detail in the bass frequency is not remarkably improved although I feel that this may well be due to the IEMs and not the source.
Mid-range - One word. Phenomenal. The detail I am getting in vocals and fret sounds, etc. on the above music selections, particularly the unplugged selections, is extremely impressive. This is where the E4 excel and, fortunately, synergize very well with the detail retrieval that the HD30 is clearly capable of...possibly due to the digital amp stage. Compared to the Vibez and the Gigabeat S, my most recent DAPS, the mid-range is more detailed. Some users may not like the possible slight coloration that the HD30 seems to introduce to the mid-range in that these frequencies seem as if they are brought slightly forward. Instrument separation is excellent and comparable to the X5 and Rockbox'd Iriver H120.
Treble - The E4 are, unfortunately, afflicted with the known Shure high-end roll-off. The HD30 can correct this deficiency, either through adding a high range boost using the equalizer or by activating the Supreme EX sound circuit. I don't really buy into all the marketing talk about re-sampling the sound at 44 khz etc. but, whatever it does, Supreme EX adds an airiness and resolution to the high-end. Unfortunately, this comes at the cost of battery life -- 50% of battery life to be precise.
From a sound quality perspective, the HD30GB9 is fantastic. It would be interesting to see how this compares to the IMod.
The disadvantages of this player are few but may be significant for some. I do get hiss with the Shure E4, audible when music is not playing and during very quiet passages. This, according to Antonyfirst, is even more prominent with more sensitive IEMs like the E500. Secondly, the synchronization time using the Kenwood Media Application software is painfully slow. I'm talking several hours to sync 25 GB of music across a USB 2.0 connection.
Overall, I highly recommend this player to anyone considering a portable, non-amp'd setup. Feel free to ask any questions.
El Duderino
First, a little background. I have previously owned/used the IRiver H120 (Rockbox'd), Iaudio X5, Trekstor Vibez, Ipod 4G/5.5G, Zune and, most recently, the Toshiba Gigabeat S. The Kenwood is, I feel, a better sounding DAP than these alternatives. I have a fairly eclectic range of music and have put the HD30 through its paces with a variety of rock and hip-hop tracks. Critical listening with the following:
Pearl Jam - Ten/Rearview Mirror
Eric Clapton - Unplugged
Dire Straits - Brothers in Arms
Tool - Aenima/Lateralus/10,000 Days
Nirvana - Unplugged in New York
Jay-z/Linkin Park - Collision Course
MF Doom - Doomsday/MM...Food
Jay-Z - Unplugged
Deltron 3030 - Deltron 3030
Lupe Fiasco - Food & Liquor
A Tribe Called Quest - Anthology
John Legend - Get Lifted
All tracks are encoded at a minimum of 224 kbps VBR MP3 and most are lossless. All tracks were listened to through Shure E4 IEMs.
Bass - Previously I have found the bass on the Shure E4 to be accurate but somewhat thin sounding on hard-hitting hip-hop tracks although perfectly adequate for most rock. With a flat equalizer, the bass through the E4 gains considerably more weight...this is immediately noticeable and is really a night/day difference. I was not aware that the E4 could produce this much bass while maintaining a tightness to the overall sound. Equalizing the sound using the excellent parametric equalizer in the HD30GB9 to add a low frequency boost helps the sound with no hint of distortion or boominess. Detail in the bass frequency is not remarkably improved although I feel that this may well be due to the IEMs and not the source.
Mid-range - One word. Phenomenal. The detail I am getting in vocals and fret sounds, etc. on the above music selections, particularly the unplugged selections, is extremely impressive. This is where the E4 excel and, fortunately, synergize very well with the detail retrieval that the HD30 is clearly capable of...possibly due to the digital amp stage. Compared to the Vibez and the Gigabeat S, my most recent DAPS, the mid-range is more detailed. Some users may not like the possible slight coloration that the HD30 seems to introduce to the mid-range in that these frequencies seem as if they are brought slightly forward. Instrument separation is excellent and comparable to the X5 and Rockbox'd Iriver H120.
Treble - The E4 are, unfortunately, afflicted with the known Shure high-end roll-off. The HD30 can correct this deficiency, either through adding a high range boost using the equalizer or by activating the Supreme EX sound circuit. I don't really buy into all the marketing talk about re-sampling the sound at 44 khz etc. but, whatever it does, Supreme EX adds an airiness and resolution to the high-end. Unfortunately, this comes at the cost of battery life -- 50% of battery life to be precise.
From a sound quality perspective, the HD30GB9 is fantastic. It would be interesting to see how this compares to the IMod.
The disadvantages of this player are few but may be significant for some. I do get hiss with the Shure E4, audible when music is not playing and during very quiet passages. This, according to Antonyfirst, is even more prominent with more sensitive IEMs like the E500. Secondly, the synchronization time using the Kenwood Media Application software is painfully slow. I'm talking several hours to sync 25 GB of music across a USB 2.0 connection.
Overall, I highly recommend this player to anyone considering a portable, non-amp'd setup. Feel free to ask any questions.
El Duderino