30plus
Head-Fier
- Joined
- May 22, 2003
- Posts
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I can see the vein of which the Rs-1 and other Grados used as a sound paradigm. I think they concentrated first on delivering the emotion, and timbre of music over some kind of analysis tool. They made sure that detail was delivered in a complete, but non fatiguing manner.
I feel if you like grado, you are also apt to enjoy:
Sonus faber
JM Reynaud
Vandersteen
PSB
KEF
Chario
Aliante
Harbeth
Soliloquy
Spendor
What I listed were speakers that are foremost considered musical first, and do not sound "hi-fi-ish." They do not attempt to be ruler-flat. They are designed to stir that emotion, that soul and toe-tapping quality of music.
Other technologies aside for a moment, this is basically the type of sound that draws me in, and keeps me listening for hours.
I feel if you like grado, you are also apt to enjoy:
Sonus faber
JM Reynaud
Vandersteen
PSB
KEF
Chario
Aliante
Harbeth
Soliloquy
Spendor
What I listed were speakers that are foremost considered musical first, and do not sound "hi-fi-ish." They do not attempt to be ruler-flat. They are designed to stir that emotion, that soul and toe-tapping quality of music.
Other technologies aside for a moment, this is basically the type of sound that draws me in, and keeps me listening for hours.