DCameronMauch
100+ Head-Fier
- Joined
- Dec 17, 2002
- Posts
- 166
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- 10
Had an interesting idea the other night...
True differential output are always nice. You get many benefits. Like improved power supply rejection ratio, better handling of back emf (probably not an issue with headphones), lower distortion, blah blah blah. And I have never heard anyone say a true different output sounded anything but awesome. Like the HeadRoom BlockHead. Got wonderful reviews. But the problem is that that unit is not compatable with virtually all headphones. You have to get a special made cord. Not terribly practical.
With normal headphones, the two drivers share a single ground. So any driven signal on the ground goes to both drivers. Like a mono signal. But wait a second. What if you did drive each side with a mono signal. It could be true differential. The shared ground issue goes away. Converting stereo to mono is easy - just sum the channels. Okay. Now that we have the mono component of the sound, getting the stereo only component is also easy - subtract the channels. So we could drive each side with it's own stereo only component in the regular single ended way AND the mono component differentially at the same time. Thus giving a partial differential output. A little math...
inputs: L and R
mono component: (L+R) larger signal
stereo only component: (L-R) and (R-L) smaller signal
drive left side with (L-R)+(L+R)/2
drive right side with (R-L)+(L+R)/2
drive ground with -(L+R)/2
differential left -> (L-R)+(L+R)/2 - -(L+R)/2
-> (L-R)+(L+R)
-> 2L
differential right -> (R-L)+(L+R)/2 - -(L+R)/2
-> (R-L)+(L+R)
-> 2R
These components can be easily generated with two differential and three summing opamp configurations. I can whip up a basic schematic if anyone would like to see it. This idea presents a few questions. Like how much of the signal is mono and thus how much benefit would there be to gain. I analyzed a dozen songs of various genres and found them to be 60% mono and 80% mono in the lowest three octaves. Not bad. It also brings up the question of possible gain versus the added complexity and possible loss due to that complexity. That one I can not answer. I imagine it will come down to a personal subjective thing.
Just thought I would throw this one out to see what everyone else thought about this idea. Comments? Questions? Am I onto something or just smoking crack?
Thanks!
Cameron
True differential output are always nice. You get many benefits. Like improved power supply rejection ratio, better handling of back emf (probably not an issue with headphones), lower distortion, blah blah blah. And I have never heard anyone say a true different output sounded anything but awesome. Like the HeadRoom BlockHead. Got wonderful reviews. But the problem is that that unit is not compatable with virtually all headphones. You have to get a special made cord. Not terribly practical.
With normal headphones, the two drivers share a single ground. So any driven signal on the ground goes to both drivers. Like a mono signal. But wait a second. What if you did drive each side with a mono signal. It could be true differential. The shared ground issue goes away. Converting stereo to mono is easy - just sum the channels. Okay. Now that we have the mono component of the sound, getting the stereo only component is also easy - subtract the channels. So we could drive each side with it's own stereo only component in the regular single ended way AND the mono component differentially at the same time. Thus giving a partial differential output. A little math...
inputs: L and R
mono component: (L+R) larger signal
stereo only component: (L-R) and (R-L) smaller signal
drive left side with (L-R)+(L+R)/2
drive right side with (R-L)+(L+R)/2
drive ground with -(L+R)/2
differential left -> (L-R)+(L+R)/2 - -(L+R)/2
-> (L-R)+(L+R)
-> 2L
differential right -> (R-L)+(L+R)/2 - -(L+R)/2
-> (R-L)+(L+R)
-> 2R
These components can be easily generated with two differential and three summing opamp configurations. I can whip up a basic schematic if anyone would like to see it. This idea presents a few questions. Like how much of the signal is mono and thus how much benefit would there be to gain. I analyzed a dozen songs of various genres and found them to be 60% mono and 80% mono in the lowest three octaves. Not bad. It also brings up the question of possible gain versus the added complexity and possible loss due to that complexity. That one I can not answer. I imagine it will come down to a personal subjective thing.
Just thought I would throw this one out to see what everyone else thought about this idea. Comments? Questions? Am I onto something or just smoking crack?
Thanks!
Cameron