dolifant
100+ Head-Fier
I realize I must have an addiction.
Only 3-4 weeks ago I got my MDR-R10 setup, for which I paid a pretty penny. I love it, really. It has barely broken in but I find myself listening to all my favorite music all over again, and hearing stuff I never heard before. Beside the music itself. More than once I have thought I heard a noise in my house, but it was in the recording, probably a stray sound in the recording studio or live venue. I had not heard it before. On jazz especially, and chamber music, I hear the breaths of the musicians as I would if I was next to them. The movement of their fingers on the bass or guitar, or even on the piano. On symphonic recordings I can sometimes hear the conductors movements.The realism is astounding.
So now, why am I starting to "research" electrostatics? Why am I learning which amps are the "best" with STAX Omega IIs? Why am I checking Audiogon for stray pairs of HE-90s or 60s?
Back to dynamic headphones, why do I always want to hear yet another amp, when I already own two that I think drive the R-10s beautifully? Is the amp always greener on the other side?
I think the solution will be to travel to the next big meet, like in NY or LA and bring my R-10s and favorite demo discs and listen to them with different amps. Sample the electrostatics. Nevermind,then I will probably hear bozebutton's front end (Meitner) and I will be back in the upgradeitis cycle. Help me! Is there no end!!!!
Only 3-4 weeks ago I got my MDR-R10 setup, for which I paid a pretty penny. I love it, really. It has barely broken in but I find myself listening to all my favorite music all over again, and hearing stuff I never heard before. Beside the music itself. More than once I have thought I heard a noise in my house, but it was in the recording, probably a stray sound in the recording studio or live venue. I had not heard it before. On jazz especially, and chamber music, I hear the breaths of the musicians as I would if I was next to them. The movement of their fingers on the bass or guitar, or even on the piano. On symphonic recordings I can sometimes hear the conductors movements.The realism is astounding.
So now, why am I starting to "research" electrostatics? Why am I learning which amps are the "best" with STAX Omega IIs? Why am I checking Audiogon for stray pairs of HE-90s or 60s?
Back to dynamic headphones, why do I always want to hear yet another amp, when I already own two that I think drive the R-10s beautifully? Is the amp always greener on the other side?
I think the solution will be to travel to the next big meet, like in NY or LA and bring my R-10s and favorite demo discs and listen to them with different amps. Sample the electrostatics. Nevermind,then I will probably hear bozebutton's front end (Meitner) and I will be back in the upgradeitis cycle. Help me! Is there no end!!!!