I have been trying to wrap my ears around the nature of the upgrade from the Hugo 2 to the tt2. A lot of people comment about the highs being bright . That’s not what I’m hearing . To my ears the highs are a bit neutral whereas the Hugo 2 the highs are more forward which I like as I listen to pop and work in those genres . The tt2 highs have this solid flavor I have only heard in mega buck rigs. It’s not hyped in any way whatsoever. This took some adjusting for me and burn in (I built new Cardas rca’s )until the highs started to congeal . Maybe it’s the noise shaping or more horsepower but the tt2 highs are sublime . The clarity and palpable nature of the highs is truly where the money went for me. Bass is great (if not a bit big-awesome for bass intensive program like trap or electronic) but it’s the highs that are blowing my mind .The highs are effortless yet palpable. Usually palpable can sound etched (fine by me by the way) but that’s not this boxes game. I have never heard highs this solid but relaxed at the same time . This intense resolving quality has a cascading effect on the rest of the mix including killer phantom imaging and 3 dimensional sounding ambience and reverb/delay tails . I can hear super minute mix and adsr envelope micro details that I certainly could not hear in the Hugo 2. That said , if you are listining to crap low res compressed material or badly mixed music this might not be for you . If utmost clarity and lightning fast transient response is your game with non compressed (or hi res where applicable) media than this has got to be on your short list .
I have found the optical to be better than usb for tidal streaming and quality cables are a must at this level . I really didn’t like the way the usb sounded streaming from the desk top app but rely on my AK320 as source via toslink optical . It just sounds more correct . In short if your source isn’t excellent it can effect the clarity that is this things signature dish.
All the other upgrades are there as previously mentioned . Fantastic transient definition . Source point accuracy across the stereo field is rock solid and damn if the balanced out does sound a we bit less believable (could be just because
@Rob Watts says so but I think I can hear it too).
It’s damn near perfect ...I believe feeding this monster with the full 1m taps has got to be “transformational”...