And more fun stuff on Kingsway Hall from its Wikipedia entry:
Directly below Great Queen Street is the main line of the Underground Piccadilly line which opened on 15 December 1906, and under Kingsway was a branch, the rail extension from Holborn to Aldwych which opened 13 November 1907 and closed 1994. The sound of the underground could be heard on many recordings, and became known as the "Kingsway rumble". There were also recording problems created by road and construction noise, and even occasional interruptions from the clientele of the mission itself. Engineers complained that takes made with outside traffic noise could not be edited together with those made while traffic stopped for a red light.
https://en.wikipedia.org/wiki/Kingsway_Hall
The hall was demolished in 1998 and a hotel now stands in its place.
If it weren't for the M Scaler, I would never have known
cheers,
muski
I have quite a few of the famous 60s and 70s mainly the DECCA/ EMI, Kingsway Hall recordings on LPs.
Some of them are among the best recordings from the analogue era imho.
And if my memory serves me right this time,there were even some recording sessions scheduled at either very late or very early hours to avoid the Rumble!
Either before the first train or after the last one.
Many early mornings and late nights there.
I wonder if the other GREAT classical recordings hall, Watford Town Hall is still around?
Or has it suffered the same fate as Kingsway Hall and Sofiensaal in Vienna?
Demolition?
The latest recording I have from there is Flute Mystery made by Morten Lindberg of 2L in 2009.
But like Kingsway Hall many good recordings have been made there.
By coincidence I actually played the rbcd layer of the classic 1959/Mercury/ Dorati/LSO/Stravinsky /Firebird via my HMS last night.
And frankly apart from a bit of tape saturation and hiss and some overload at the big climaxes once again, from a recording balance point of view it DEFINITELY doesn't get any better than the 1959 simple mic take from Watford Town Hall to deliver how an orchestra actually sounds live in a good hall.
Two or three mics and a good orchestra and hall is imho still all it takes.
I haven't played my promo copy of "Flute Mystery" for a long long time. But tonight I'll give it spin via optical and HMS to hear how it fares.
I remember Morten telling me about his "not all so rosy" experience there, quite well.
Vladimir Ashkenazy was conducting the Philharmonia Orchestra ,but the not so rosy incident, had nothing to do with him.
But I don't have the Previn /Ashkenazy Rach Dances for two pianos you mentioned in your post though.
My technically best recording of the orchestral version of Rachmaninov's Dances, is the one made by "prof Johnson" of Reference Recordings. It sounds terrific in its 24/176.4 download version via HMS.
Cheers Controversial Christer