Check out this partial post about depth perception because of the cable:
Yep, entirely typical stuff which is expected from cable believers. It's based on the principle that silver is a better conductor than copper and therefore the analogue/electrical signal will have higher fidelity at the end of a silver cable than a copper one. While this is true, the actual difference in conductivity is very roughly the same as the difference between a 9' copper cable and a 9'1" copper cable (if I remember correctly). I wonder if you played a recording to one of these audiophile cable believers on a 9'1" copper cable and then the same playback with a 9' copper cable, if they would come out with the same flowery descriptions of the differences? The most telling statement for me was:
I am also not impressed by the idea that many bare silver wires are in constant contact with each other.
This statement completely sums up the whole audiophile cable market; it's all entirely based on being "impressed by the idea". The idea of silver being a more precious metal than copper, of it having better conductivity, of reduced skin effect, of various other effects that are actual, real effects but are either inaudible or ridiculously inaudible and, even some effects which don't exist, that someone has just made-up. If someone is "impressed by the idea" of one cable over another, there's a good chance their perception will be altered to include that fact and then we're into arguments like "I know what I'm hearing" and "I trust my ears", even though it's trivially easy to demonstrate that they don't know what they're hearing and that it's got nothing to do with one's ears anyway!
Audiophile cables have nothing relevant or nothing whatsoever to do with the cables' actual performance, just whether or not audiophiles can be "impressed by the idea" of them, which is why, as
@bfreedma alludes, they never publish the actual performance of audiophile cables or relate their performance to standard, non-audiophile cables.
G