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Originally Posted by librarian /img/forum/go_quote.gif
As I understand so far:
Sennheiser HD are good for jazz, but has a dark sound, that some like and some don't
AKG has a sound with more air, less bass and good highs
Grado is very upfront/"in your face" and is well suited for most rockmusic, but also hardbop
What I really need is something neutral. I think.
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hi there, i recently bit the bullet and bought my first pair of full-sized headphones - the audio technica ATH-AD900s. they are open-backed and absolutely not portable. but they stole my heart. i'm afraid i have not tried the AKG nor the Grados.
the source i use is a Hi-MD sony NH1 and i was looking for something that did not need an amplifier and which could handle jazz and classical music.
i tried the HD595 and HD600, the audio technicas ATH-AD500, ATH-AD700 and ATH-AD900. i used Paul Desmond's Bossa Antigua throughout the audition.
the senns, i found, laid-back and darker than the ATs. i have a small head and didn't find the senns comfortable so it was between the ATs.
i personally wasn't impressed with the sound on the AD500 and AD700 in terms of transparency and instrument separation. i use the audio technicas CK7s and i like the instrument separation which it has, albeit the highs can get bit bright at times.
two things on the Paul Desmond album made it challenging for the headphones - Connie Kay's rim shots and cymbals. he is such a brilliant drummer and produces gorgeous cymbals sounds and very robust rim shots. these were not apparent on the AD500 and AD700 and the sound was sometimes mixed up with Jim Hall's electric guitar beats.
on the AD900, it came through clearly and had this wonderful sense of airy-ness. the bass on the AD900 comes quick and fast. not boomy.
Paul Desmond's alto was decent on the AD500, but to my ears, they sounded smoother on the AD700, and came to live on the AD900. it was like listening to him in the flesh.
i have not tried jazz vocals with my AD900 but if you'd like i have some ella and diana krall with me.