fewtch
Headphoneus Supremus
- Joined
- Jul 23, 2003
- Posts
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Just received these today (thanks to the recent AcousticSounds thing with Grado SR225s), and admittedly they're not broken in (for those who believe in that anyway... I do). I've listened to a whole bunch of recordings so far though... they've been on my head for hours! I figured what the heck, I'd post some impressions even though the HD-580 has been around a long time and the sound is pretty well known by now.
Anyhow... I can hear the midbass hump that's been discussed before (shows up on Headroom's graphs too). It isn't serious, and lends a certain very appealing warmth that doesn't hurt the sound of most instruments (piano and flute in particular sound amazingly realistic with these cans -- nothing sounds downright unrealistic). Damned if I've ever heard a pair of dynamic headphones without at least some slight midbass emphasis... seems to come with the territory.
Low bass issues? I don't hear any -- despite a certain lack of "punch" and chest-rattling lows I get with my closed Denon AH-D950s, it all seems to be there. I'll test this eventually with some 20-40Hz sine waves, since my primary source is a sound card.
Midrange: nice -- and also slightly recessed like many have mentioned. Not recessed enough to turn me off (many cans are far less flat in midrange than these, imo). Perhaps the midbass and upper bass encroaches on midrange just enough to make it seem a bit recessed, it's hard to tell as of yet. More break-in and listening time should clarify midrange for me. As I've heard Grado HP-1000s and felt midrange was slightly to moderately boosted on those, maybe I'm not a terribly good judge.
Highs... well at first, I heard some harshness and "too much" detail (hurt my ears a bit) that now seems to be disappearing after awhile of playing music through these. I suspect this will disappear completely after break-in.
Soundstaging... not as good as I'd expected, but quite good. Could easily improve with break-in, in my opinion it does with most cans. Source dependent too, of course.
Overall -- I'm impressed at the $140 I paid (quite a bit for me with my low budget), and these cans should remain on my noggin a long time
. They're truly a pleasure to listen to. They don't sound as neutral as I'd expected, which to me is basically a good thing (I think a perfectly neutral headphone would bore me to tears, even with classical). They're more neutral than my Denon AH-D950, but not so neutral as to be distant or lacking warmth -- and as a detail freak, these cans satisfy like nothing else (well... AH-D950 is very close in this department, but lacking in other areas). Not sure where the whole "veil" idea came from... these are diffuse field equalized and are basically supposed to put you back a few rows from the stage. They do the job very nicely.
Positives: Sweetness, fluidity, air, transparency, front to back imaging, soundstaging (the latter two probably limited by my amp, perhaps seriously).
Negatives: Somewhat harsh and "too analytical" highs reminiscent of the HD-280 (seems to be vanishing), not as much punch and dynamics with hard rock as Denon AH-D950, not as neutral frequency-wise as they're sometimes thought to be.
Source: M-Audio Audiophile 24/96 soundcard -> Creek OBH-11 with upgraded PS -> Senn HD580 (stock cable).
Music: Variety of musical types and genres (haven't tried any death metal yet
).
Anyhow... I can hear the midbass hump that's been discussed before (shows up on Headroom's graphs too). It isn't serious, and lends a certain very appealing warmth that doesn't hurt the sound of most instruments (piano and flute in particular sound amazingly realistic with these cans -- nothing sounds downright unrealistic). Damned if I've ever heard a pair of dynamic headphones without at least some slight midbass emphasis... seems to come with the territory.
Low bass issues? I don't hear any -- despite a certain lack of "punch" and chest-rattling lows I get with my closed Denon AH-D950s, it all seems to be there. I'll test this eventually with some 20-40Hz sine waves, since my primary source is a sound card.
Midrange: nice -- and also slightly recessed like many have mentioned. Not recessed enough to turn me off (many cans are far less flat in midrange than these, imo). Perhaps the midbass and upper bass encroaches on midrange just enough to make it seem a bit recessed, it's hard to tell as of yet. More break-in and listening time should clarify midrange for me. As I've heard Grado HP-1000s and felt midrange was slightly to moderately boosted on those, maybe I'm not a terribly good judge.
Highs... well at first, I heard some harshness and "too much" detail (hurt my ears a bit) that now seems to be disappearing after awhile of playing music through these. I suspect this will disappear completely after break-in.
Soundstaging... not as good as I'd expected, but quite good. Could easily improve with break-in, in my opinion it does with most cans. Source dependent too, of course.
Overall -- I'm impressed at the $140 I paid (quite a bit for me with my low budget), and these cans should remain on my noggin a long time
Positives: Sweetness, fluidity, air, transparency, front to back imaging, soundstaging (the latter two probably limited by my amp, perhaps seriously).
Negatives: Somewhat harsh and "too analytical" highs reminiscent of the HD-280 (seems to be vanishing), not as much punch and dynamics with hard rock as Denon AH-D950, not as neutral frequency-wise as they're sometimes thought to be.
Source: M-Audio Audiophile 24/96 soundcard -> Creek OBH-11 with upgraded PS -> Senn HD580 (stock cable).
Music: Variety of musical types and genres (haven't tried any death metal yet