- Joined
- Nov 26, 2002
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Hi all,
This is my first post to the forum, I thought some of you might be interested in an opinion on how the PreHead sounds.
The equipment used:
- a stock Sony NS500 until recently. Currently using a crappy portable CD player until I receive the long awaited Philips DVD963SA.
- outlaw audio interconnect
- the new PreHead from Meier Audio
- Grado RS2 / old AKG 240 / stock Senns HD600
I have had a Grado RS2 for a long time, always using cheap portable CD player, which was Ok with me. Then I recently decided to invest into the Senns HD600, which required to buy an amp. After reading through the forum, I had the gut feeling the PreHead was going to be a killer. I trusted Jan, which was one of my best audiophile decision in years...
I received the amp before the cans. Fired it up with the stock Sony I had bought for the occasion. I first used my Grado’s. I was very impressed with the tightened low end and the very clean sound (dead silence between the notes, excuse my poor vocabulary). However, the overall sound was terribly bright, and I blamed the CD player, which I returned a week later. Now, listening to the PreHead/RS2 combo with a cheap player did tame the sound a little, but that was still far from natural and enjoyable. I wrote back to Jan, explaining my case. Basically, I had the feeling the amp was way too detailed for the Grado’s. He suggested me to wait the HD600.
In the mean time, I used this old pair of AKG 240 that I found at my company. Well, now this was much better. Very very laid back sound but still quite detailed. I was not too impressed with the image, but at least I could listen to all my CDs, even my worst rock recordings.
Then, yesterday arrived the HD600s. And let the show begin… It was a blast. I had never listened to those headphones before. Very first impressions: tremendous soundstage (very wide), much more detailed sound than the AKG (and the Grados actually), and a low end soo true sounding. I have never heard such detail with a speaker system. But the most impressive part was how solid the whole sound is. I listened to classical music where my usual experience (with the Grado’s or speaker system) has been to hear all the instruments crashing against each other through a very small door. That’s the very first time I listen to a system where, no matter how complex it gets, the reproduction remains dynamic, discernable, wide. Even though, I am using brand new cans and amp, I bet you this PreHead is the guy responsible for such transparency, detail, and most of all solidity.
At this point, I am about ready to get read of the RS2. Through the amp, they sound, treble-boosted, bass-boosted, in other words completely unnatural. The only use I can make of them is through the cheap CD player phones output where the lack of details compensates for the Grado’s colored response. People argue the RS2 are extremely detailed. Too me, it seems they just boost the highs by 10 dB, giving you a superficial feeling of fine resolution. Once you use a resolving amp, the trick is revealed…
To give basic bullet-point conclusions on what I feel the amp is doing:
1. It helps me compare sources and cans very easily because it seems by itself extremely transparent and neutral
2. It did metamorphose the low-end resolution of my Grados but made them sound overly bright (and not by a half dB only!!!)
3. It did make my listening experience with the HD600 unforgettable: tremendous detail, extension, soundstage width, and resolving capability from voice/guitar to full bloom orchestra with organ.
4. Its dynamics never failed. Regardless of the number of instruments in the game, the amp would never fail. The dynamic has no limit, you can localize anything you want.
5. Listening to organ (Symphony no3 from Saint-Saens), it was soo pure and extended. The low end is heard, not blurred, nor distorted.
I guess I should note that I am using the cross-feed filter built-in the amp. Maybe that did contribute the my positive impression of the sound-stage?
Anyway, you guys might think I have been paid by Jan for making such comments. Well, try it out for yourself and tell me if I am just having too much placebo effect! Unfortunately, I can’t compare to other headphone amps since this is my first one… So, these comments are only worth so much. But I can tell you that this PreHead/HD600 combo made me gain my faith back into audiophile world… I had given up a long time ago, when realizing that these “6 figures price” esoteric speaker systems were hurting my ears so much…
I can’t wait to receive a decent CD player (hopefully the Philips will do the job) being already very satisfied!!!
Cheers,
Arnaud.
This is my first post to the forum, I thought some of you might be interested in an opinion on how the PreHead sounds.
The equipment used:
- a stock Sony NS500 until recently. Currently using a crappy portable CD player until I receive the long awaited Philips DVD963SA.
- outlaw audio interconnect
- the new PreHead from Meier Audio
- Grado RS2 / old AKG 240 / stock Senns HD600
I have had a Grado RS2 for a long time, always using cheap portable CD player, which was Ok with me. Then I recently decided to invest into the Senns HD600, which required to buy an amp. After reading through the forum, I had the gut feeling the PreHead was going to be a killer. I trusted Jan, which was one of my best audiophile decision in years...
I received the amp before the cans. Fired it up with the stock Sony I had bought for the occasion. I first used my Grado’s. I was very impressed with the tightened low end and the very clean sound (dead silence between the notes, excuse my poor vocabulary). However, the overall sound was terribly bright, and I blamed the CD player, which I returned a week later. Now, listening to the PreHead/RS2 combo with a cheap player did tame the sound a little, but that was still far from natural and enjoyable. I wrote back to Jan, explaining my case. Basically, I had the feeling the amp was way too detailed for the Grado’s. He suggested me to wait the HD600.
In the mean time, I used this old pair of AKG 240 that I found at my company. Well, now this was much better. Very very laid back sound but still quite detailed. I was not too impressed with the image, but at least I could listen to all my CDs, even my worst rock recordings.
Then, yesterday arrived the HD600s. And let the show begin… It was a blast. I had never listened to those headphones before. Very first impressions: tremendous soundstage (very wide), much more detailed sound than the AKG (and the Grados actually), and a low end soo true sounding. I have never heard such detail with a speaker system. But the most impressive part was how solid the whole sound is. I listened to classical music where my usual experience (with the Grado’s or speaker system) has been to hear all the instruments crashing against each other through a very small door. That’s the very first time I listen to a system where, no matter how complex it gets, the reproduction remains dynamic, discernable, wide. Even though, I am using brand new cans and amp, I bet you this PreHead is the guy responsible for such transparency, detail, and most of all solidity.
At this point, I am about ready to get read of the RS2. Through the amp, they sound, treble-boosted, bass-boosted, in other words completely unnatural. The only use I can make of them is through the cheap CD player phones output where the lack of details compensates for the Grado’s colored response. People argue the RS2 are extremely detailed. Too me, it seems they just boost the highs by 10 dB, giving you a superficial feeling of fine resolution. Once you use a resolving amp, the trick is revealed…
To give basic bullet-point conclusions on what I feel the amp is doing:
1. It helps me compare sources and cans very easily because it seems by itself extremely transparent and neutral
2. It did metamorphose the low-end resolution of my Grados but made them sound overly bright (and not by a half dB only!!!)
3. It did make my listening experience with the HD600 unforgettable: tremendous detail, extension, soundstage width, and resolving capability from voice/guitar to full bloom orchestra with organ.
4. Its dynamics never failed. Regardless of the number of instruments in the game, the amp would never fail. The dynamic has no limit, you can localize anything you want.
5. Listening to organ (Symphony no3 from Saint-Saens), it was soo pure and extended. The low end is heard, not blurred, nor distorted.
I guess I should note that I am using the cross-feed filter built-in the amp. Maybe that did contribute the my positive impression of the sound-stage?
Anyway, you guys might think I have been paid by Jan for making such comments. Well, try it out for yourself and tell me if I am just having too much placebo effect! Unfortunately, I can’t compare to other headphone amps since this is my first one… So, these comments are only worth so much. But I can tell you that this PreHead/HD600 combo made me gain my faith back into audiophile world… I had given up a long time ago, when realizing that these “6 figures price” esoteric speaker systems were hurting my ears so much…
I can’t wait to receive a decent CD player (hopefully the Philips will do the job) being already very satisfied!!!
Cheers,
Arnaud.