Looks like the FH5 is holding its own
Im reading it the same way. Looks its more like a side-grade with maybe a bit better resolution and bit different tonality. Part of the difference might be the silver cable of the FH7.
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Looks like the FH5 is holding its own
Especially if you’re paying double the price, it let’s wait and see what they sound like. I’m hoping to review a pair in the near future with any luck.Im reading it the same way. Looks its more like a side-grade with maybe a bit better resolution and bit different tonality. Part of the difference might be the silver cable of the FH7.
That's a very good point about the nozzles.
I'm doing a quick comparison between the FH5 and FH7 from the M11. It's a bit tricky as there is a FR change, so while I feel there is at least a bit more detail and refinement from the FH7, it does have a brighter treble, even with the bass filter installed in the FH7, and grills removed from the tips of both. My impression is that the FH7 is a bit more V-shaped, which makes me a bit cautious about suggesting it is more resolving. There were a couple of points on Short Tales Of The Black Forest where I didn't like the sound of the higher guitar notes on the FH5, but they sounded good on the FH7, despite it being brighter. It makes the track sound wider, whereas the FH5 has a feeling like it is more closed-in. I switched to the Hugo 2 to double-check this (also giving me a chance to compare the M11).
Overall though, even if some of it is a result of FR changes, I feel that the FH7 has a better overall delivery, including a bit more detail, though it is a bit on the bright side and the treble is still very "balanced armature treble".
I measured the nozzles of both at 6mm, but the flange on the FH5 makes them a bit wider overall, and harder to put tips on. I think maybe the knurling on the filters of the FH7 makes them easier to put tips on. The FH7 is slightly larger overall, but the nozzle may insert slightly deeper as a result of the different shape of the neck below it.
That's a very good point about the nozzles.
I'm doing a quick comparison between the FH5 and FH7 from the M11. It's a bit tricky as there is a FR change, so while I feel there is at least a bit more detail and refinement from the FH7, it does have a brighter treble, even with the bass filter installed in the FH7, and grills removed from the tips of both. My impression is that the FH7 is a bit more V-shaped, which makes me a bit cautious about suggesting it is more resolving. There were a couple of points on Short Tales Of The Black Forest where I didn't like the sound of the higher guitar notes on the FH5, but they sounded good on the FH7, despite it being brighter. It makes the track sound wider, whereas the FH5 has a feeling like it is more closed-in. I switched to the Hugo 2 to double-check this (also giving me a chance to compare the M11).
Overall though, even if some of it is a result of FR changes, I feel that the FH7 has a better overall delivery, including a bit more detail, though it is a bit on the bright side and the treble is still very "balanced armature treble".
I measured the nozzles of both at 6mm, but the flange on the FH5 makes them a bit wider overall, and harder to put tips on. I think maybe the knurling on the filters of the FH7 makes them easier to put tips on. The FH7 is slightly larger overall, but the nozzle may insert slightly deeper as a result of the different shape of the neck below it.
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FA7 mids with FH5 bass and treble would be the bee’s knees. I do think a DD adds that thump and air movement BA bass just lacks. That said the FH5 + M11 pairing is superb, great synergy. Keen to hear how the FH7 pairs with the M11.Regarding the sound, its starting to seem more and more that the FH7 has inherited its mid presentation from the FH5 rather than the FA7, which makes me sad.
Thanks, your English is far better than my Norwegian! That 'thick/full' sound of the FA7, while appealing to some, is the reason I prefer the FH5 to the FA7. It's just more clear and open sounding to me. If the FH7 is the same but more resolving and less mid-forward, I'm in. If not, I'll happily live with the FH5 and subtle EQ until the right upgrade comes along.Have just gotten these two.Im not that good in english (norway here) or describing sound as many of you head-fiers in here But both seems great.Early impressions is that maybe the fa7 are an little more comfortable.But take it with an grain of salt.Have to test some more.The isolation are good at both,but a little better on fa7.Also take this with an grain of salt The fh7 sounds brighter.And the fa7 more thick/full sounding.
Scarface, does the FH7 seems slightly bigger than the FA7?FH7 and FA7
Scarface, does the FH7 seems slightly bigger than the FA7?
I found the FA7 extremely comfortable , sound also exactly what i am looking for , but the FH7 looks very well built but a also a bit more heavier.
Great impressions as always. Looks like the FH5 is holding its own, especially since the FH7 is almost twice the price! Any thoughts on the mid-forwardness of the FH5 compared to the FH7? You mention the FH7 is more v-shaped, so does that mean the mids are more recessed compared to the FH5? And in your opinion, how does the Andromeda compare to both? (Price difference taken into account).
Im reading it the same way. Looks its more like a side-grade with maybe a bit better resolution and bit different tonality. Part of the difference might be the silver cable of the FH7.
I found the FH5 much clearer than the FA7 as well. The FA7 is warm and cozy but the midbass bloom makes everything seem more congested compared to the FH5’s more linear response. By your early impressions I’m deducing the FH7 tightens and speeds up the bass response, but also extends the treble response of the FH5, which is basically what FiiO suggested the FH7 will do. If the bass filter mitigates some of that extra treble that could work in the FH7’s favour, but I’m definitely not wanting any MORE treble than the the FH5!I compared with the FA7 though with a bunch of different tracks. Overall, the FH7 sounded MUCH clearer. With the FA7, the sound was always smooth and more of a blob in the middle, more muffled. The FH7 was more open, airy, dynamic, detailed, and really shoves instruments and vocals in your face. Bass detail is great. The treble can be too much though. I tried my best to find tips that toned down the treble, and went with my usual go-to, the Final Type E.