Quote:
Originally Posted by md01
Should I spend another 50 bucks and get A900? Or do I have a case of head-fi-gitis?
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I was in pretty much your situation a couple months ago; I even bought my 250-80s from B&H, and then after buying them was very anxious as to whether I'd bought the "right" headphones (this is what happens when you read head-fi
). Personally, I stuck with the 250-80s, and here's why (in no particular order):
* $50 is $50
* I like my headphones to be fun and long-listening, and I am easily fatigued by trebles. There is no danger of the DT250-80s being anywhere near "bright", while A900s have had that mentioned of them a few times.
* I was pleased at the low profile, reasonable (but not extreme) isolation -- I wear these at work -- and overall comfort of the DT250s. The A900s, at least, are much bigger, and while I'm not particularly self-conscious about my headphones, low profile is good if you have it.
* The DT250s simply sounded very good to me, especially for alternative rock and electronic, which are 65% of my listening.
It's really easy reading head-fi to feel that you're always missing out on something. But, if you like the way these things sound, just stick with them for a while, and take a break from reading head-fi.
In the interest of full disclosure, the thing I've decided that my DT250-80s lack is sufficient soundstage and acoustic "air" for good listening to concert-hall classical, jazz, and other live-sounding recordings. If you are listen to a lot of these kinds of recordings or are otherwise particularly sensitive to soundstaging, then maybe the DT250s are not ideal for you, as I think this is their greatest weakness. However, that's not to say that these are not all-around great closed headphones.