.... it is just impracticable to rip the amount of cd's i have.
I would respectfully contend that it depends more on your frame of mind than the number of CDs you have (assuming you can afford a large enough hard drive, but they're very good value these days)
Around 6 months ago, I bought a couple of 2TB portable USB 3.0 hard drives, and ripped all my CDs to .flac.
It was a very laborious task, but I attacked the task head-on and ripped around 30-40 CDs per day., for a few weeks.
I was so determined because my CDs had been sitting in storage for years, barely being played, and I wanted to have instant random-access to
any album I spontaneously desire, without having to hunt for it.
I can now say that the effort was worth it. On more occasions than I can count, I have been grateful that it's all there; every single album, single, EP, in my collection, on a tiny drive the size of a deck of cards.
With all that said, one way to make the task less daunting would be to simply chip away at it, ripping each album whenever you feel like listening to it, so that you gradually end up with your library ripped to hard drive. I would strongly caution that no one (in my opinion) should ever undertake such a task unless they have 2 hard drives, in order to mirror the data, so that a back-up exists, in the unfortunate event that one drive fails at some point in the future.
As for whether ripped music data being read from a hard drive might sound any different from the same music data being read from an optical disc, that's an interesting question to ponder.
Things that might influence this could include:
- How large the optical drives internal cache/buffer is
- How large the optical drives cache/buffer is configured in the computer software to which the drive is connected
- How fast the internal firmware of the optical drive tends to spin Redbook audio CDs
- The condition of the CD being played (how many scratches, fingerprints, any warping, deterioration of the 'silvering', etc.)
- How well error-correction has been implemented in the optical drives firmware (it is quite amazing how much this can vary - the old Plextor drives were awesome)
- How well the laser assembly of the optical drive has been designed and manufactured (tends to generate fewer read errors with non-perfect CDs)
- How accurately a music file has been ripped from a CD to hard drive (software like ExactAudioCopy does a much better job than most other ripping softwares)
- How much physical/ambient and electric noise your hard drive generates (some computer audiophiles prefer to use SSD drives, to absolutely minimise physical/ambient and electrical noise generated by their storage drive).
- ...and many more influencial factors
Remember that (
broadly-speaking), when playing an optical disc, any error correction needs to be undertaken on-the-fly, whereas a ripped file has already had its error-correction done, when it was ripped.
In any event, I stand by my earlier suggestion - ripping CDs is a laborious task, but it's so worthwhile, in the longrun, so I urge you to do it, whether your approach is to bite-the-bullet and tackle your entire library head-on, or just do it bit-by-bit, over a period of months.
Approximately how many CDs do you have in your library?